The Archivist’s Nook: The Dress at the End of the Rainbow

If you were around during the Golden Age of Hollywood, you would have heard of Mercedes McCambridge. She had an Oscar winning role as Best Supporting Actress in the 1949 movie All the King’s Men. She was nominated for the same award in the 1956 film Giant. If you haven’t seen either of those classics or are more into horror, you might have heard her voice the demon Pazuzu in the 1973 film classic, The Exorcist. Indeed, she was renowned for her voice. Orson Welles, who, incidentally, addressed Catholic University’s first class of drama students in 1939, called her “the world’s greatest living radio actress.”

A Mercedes McCambridge publicity photo from the 1949 film All the King’s Men. (Photo: AP Wirephoto.)

 

 

 

 

 

 

 

 

 

McCambridge was also an artist-in-residence here at Catholic University from 1972-1973, lured, no doubt, by the University’s stellar drama program and its illustrious head, Father Gilbert Hartke (1907-1986). McCambridge once commented on Father Hartke’s sartorial tastes, which extended well beyond the Dominican robes of his order to include a silk Nehru jacket, a six foot long aviator scarf, a Russian fur hat and light blue canvas sneakers, among many other articles of clothing.

Most of these articles were gifts given to him by those who knew he loved clothing and costumes. And were it not for his extravagant tastes, we perhaps might not today have an absolutely precious piece of cinematic history: one of the dresses Judy Garland wore on the set of The Wizard of Oz. Articles in The Tower and The Washington Post allude to it, and rumors have swirled for years that Hartke had the dress, but it wasn’t until recently that Matt Ripa, Lecturer and Operations Coordinator at the Drama Department rediscovered it. I asked Mr. Ripa how he found the dress, and he responded that he too, “had heard rumors that Father Hartke was gifted Dorothy’s dress and that it was located somewhere in the building.” But “I could never get confirmation on exactly where it was located.” He explains:

I had looked in our archives, storage closets, etc. to no avail. I assumed it was a tall tale (of which many exist for Father Hartke). Our building is in the process of renovations and upgrades, so I was cleaning out my office to prepare. I noticed on top of the faculty mailboxes a trashbag and asked my co-worker to hand it to me. On the trashbag was a note for our former chair stating that he had found ‘this’ in his office and that he must have moved it when he moved out of the chair’s office… I was curious what was inside and opened the trashbag and inside was a shoebox and inside the shoe box was the dress!! I couldn’t believe it. My co-worker and I quickly grabbed some gloves and looked at the dress and took some pictures before putting it back in the box and heading over to the archives. I called one of our faculty members and former chair, who always told me the dress existed and that it was in the building to let her know that I had found it. Needless to say, I have found many interesting things in the Hartke during my time at CUA, but I think this one takes the cake.

McCambridge gave Father Gilbert Hartke one of the dresses Judy Garland wore as Dorothy in The Wizard of Oz (1939) when she was an artist in residence in the early 1970s. Though rumors of the dress have swirled for decades, the dress was only recently located by Matthew Ripa in the Drama Department. Father Hartke is pictured here with student Carol Pearson holding the dress, ca. 1975-76. There are several photos of Hartke holding the dress in the University’s Special Collections. (Photo: Special Collections, The Catholic University of America)

As archivists, we were obliged to work on gaining additional documentation for this popular culture national treasure. Objects such as this one might be forged and passed off as authentic because of their cultural and monetary value. So how do we know the dress is the real thing? We do not yet know how Mercedes McCambridge got the dress, though we do know she was a Hollywood contemporary of Judy Garland’s and that they were supposedly friends. McCambridge was friends with many luminaries in the film and radio industry. Garland had died by the time the dress went from McCambridge to Father Hartke. Moreover, we have several photos of Father Hartke holding the dress, and the abovementioned articles from The Tower and The Washington Post referencing it. So the circumstantial evidence is strong.

Dorothy’s Wizard of Oz dress in June, 2021. Judy’s name is written by hand on the inside of the dress, as the second image shows. (Photos by Shane MacDonald and Maria Mazzenga)

 

Nonetheless, we reached out to experts in cultural memorabilia at the Smithsonian’s National Museum of American History. The Museum has several artifacts from the Wizard of Oz set, including a famous pair of Dorothy’s Ruby Slippers. Curator with the Division of Cultural and Community Life, Ryan Lintelman, an expert in the Museum’s Oz memorabilia, offered a wealth of information he’s gathered on the history of the film’s Dorothy dresses. There were several of them, though it appears that five, excluding the University’s dress, have been verified as probably authentic. All of the dresses have certain verifiable characteristics: a “secret pocket” on the right side of the pinafore skirt for Dorothy’s handkerchief, “Judy Garland” written by hand in a script specific to a single person who labeled all of the extant dresses in the same hand, for example. Apparently, the thin material of the blouse was prone to tearing when Garland took it off after filming, and a seamstress often repaired it before she donned it for the next shoot. The Hartke dress has all of these characteristics, including blouse tears where the pinafore straps sat on the shoulders.

Smithsonian staff members, from left, Dawn Wallace, Sunae Park Evans, and Ryan Lintelman examine the dress, June 2021. (Photo by Maria Mazzenga)

 

 

Lintelman, along with his colleagues at the Museum, Dawn Wallace, Objects Conservator, and Sunae Park Evans, Senior Costume Conservator, paid us a visit to view the dress. Employees at the Museum are not authorized to authenticate objects like this one, but they suggested that the dress was consistent with the other objects from the film, and that the evidence around the dress was strong.

Dorothy’s Wizard of Oz dress, once the province of myth, is now a real object in the University’s Special Collections. We can now preserve it in proper storage in a temperature- and humidity-controlled environment. By the way, if any of you readers have your own story connected to this dress, drop us a line!

A scene that needs no explaining… (Photo: Silver Screen/Getty)

 

 

 

 

 

Sources:

Mary Jo Santo Pietro, Father Hartke: His Life and Legacy (Washington, D.C. The Catholic University of America Press, 2002), 201.

“Father Hartke: Kudos from the President, A Look At the Past,” The Washington Post, May 17, 1975, B1. The article alludes to “the original gingham dress that Judy Garland wore in The Wizard of Oz,” hanging in his closet.

McCambridge talks about her relationships with various Hollywood figures throughout her autobiography, and specifically mentions her residency at Catholic University in the early 1970s in her autobiography, The Quality of Mercy (New York: Times Books, 1981), see pages 107, 189 for mention of her year as artist-in-residence. See also, Richard Coe,  “Backstage And Back In Town,” The Washington Post, September 9, 1972, C9.

 

SAGE Video Collection: Trial through July 8, 2021

The University Libraries offers a trial of a rich and diverse collection of videos across the social, behavioral, and health sciences.  The SAGE Video Collection is designed to support instruction, learning, and research in colleges and universities.  The subject areas represented in this trial include business & management; counseling & psychotherapy; criminology & criminal justice; education; geography, earth & environmental science; health & social care; leadership; media & communication; nursing; politics & international relations; psychology, social work, and sociology. The videos range from documentaries to in-practice classes, interviews, tutorials, and raw observational footage.

Enjoy exploring and tell us what you think of this resource.  To get started, click here. To let us know what you liked or didn’t like, click here.

The Archivist’s Nook: Rare Book Acquisitions, 2021

Special Collections, including the Rare Books Department, like the rest of the world, is emerging from the shadow of the COVID Pandemic. Fortunately, we were able to acquire new books and related materials during the vicissitudes of 2020, which we reported on in a November blog post, and are pleased to announce further significant purchases during 2021 from reputable dealers to grow our collections.

English Recusant Prayer Book with Book of Hours, 1630. Special Collections, The Catholic University of America.

The first item is a work reflecting the response of English Catholics to persecution in their homeland. It is a English Recusant’s Prayer Book titled ‘Exercitium hebdomadarium, collectore Ioanne Wilsono sacerdote Anglo; in gratiam piorum Catholicorum’ from 1630 bound along with a Book of Hours titled ‘Officium passionis Iesu Christi ex oraculis prophetarum desumptum’ originally published in 1621. This pocket prayer book was compiled by Jesuit priest John Wilson, who managed the English College Press at St. Omer. The two books were edited by Wilson and printed in the same typographic format at Antwerp at the Plantin Press of Balthasar Moretus. Both parts include Flemish Baroque engravings in the style of Antoine Wierix, including the second part with a series of nearly a dozen scenes showing the Passion of the Christ. (1) Both editions are considered scares and this second edition was purchased from Samuel Gedge Books of England.

L’Histoire de Jansenius et de Saint-Siran, ca. 1695. Special Collections, The Catholic University of America.

The second item is a book related to the Jansenist Heresy, primarily active in France, which emphasized original sin, divine grace, and predestination.  It is titled ‘L’Histoire de Jansenius et de Saint-Siran’ and was published in Brussels, ca. 1695, anonymously, due to its scurrilous content regarding an imaginary dialogue between Cornelius Jansen and the Abbe de Saint-Cyran in a supposed conference about 1620 at the Bourgfontaine Monastery with a plot to overthrow the established church. The latter had introduced Jansen’s doctrine into France, in particular among the nuns of Port-Royal. This rare sole edition is 192 pages, bound in contemporary calf, with the joints and spine a little chipped. It also has a stamp on the blank flyleaf of an English boarding school of St. Edmund’s College, Ware, and was purchased by Catholic U. from Inlibris of Vienna (2).

Calendario Dispuesto por Don Mariano Joseph de Zuniga…1814, Special Collection, The Catholic University of America.

The third item is as much artifact as publication and a unique addition to our materials related to Latin America titled ‘Calendario Dispuesto por Don Mariano Joseph de Zuniga y Ontiveros Agrimensor por S. M. (Q. D. G.) Para el Ano del Senor de 1815 Los Seis Meses Primeros.’ It is the only edition of an 1815 colonial Mexican sheet almanac by Mariana Jose de Zuniga y Ontiveros, published in 1814 in Mexico City the last of the pre-Independence Zuniga dynasty of Mexican printers. The almanac records eclipses and other celestial events, lunar phases, meteorological predictions, astrological data, feast days, and key moments in the Catholic calendar. It is printed in seven columns within a typographic border on each side and includes small woodcuts of the Virgin of Guadeloupe and San Felipe de Jesús. Similar to European almanacs, Mexican almanacs were printed in the months preceding the forthcoming year. Zúñiga was a mathematician, land surveyor, and member of the Royal Board of Charity of Mexico. The only other year of this type of sheet or series is the 1805 edition held at the University of Texas at Sah Antonio. (3) The Catholic University almanac was purchased from William Cotter Books of Austin, Texas.

Manuscript Sermon by the Minister of Trinity Church, San Francisco, 1856. Special Collections, The Catholic University of America.

The final item is a significant addition to our growing body of Anti-Catholic materials and is titled a ‘Manuscript Sermon Preached by the Minister of Trinity Church in San Francisco in 1856 on Hebrews XIII:  “We have an Altar whereof they have no right to eat those who serve the Tabernacle.”’ It is a firebrand sermon preached in 1856 in San Francisco at the Trinity Episcopal Church by the Reverend Stephen Chipman Thrall. He was the third rector of Trinity Church, 1856-1862, and the biblical text is the stimulus for his assault on what he considered the blasphemous dogma of the Roman Catholic Church (4).  It is a nineteen page, 8 ½ by 13 ½ inch, ink manuscript on blank versos of forms from the Custom House Collector’s Office, written in a contemporary hand and purchased from David Lessor Books of Connecticut.

These four new acquisitions, covering three continents and three centuries, are a further enhancement to the diverse Special Collections at Catholic University. We hope to post further updates regarding acquisitions as well as conservation work before the end of 2021. Please contact us with any questions.

(1) Samuel Gedge Ltd, Norwich, England, Catalog 30, 2020, p. 23.

(2) Thanks to David Rueger of Antiquariat Inlibris.

(3) William S. Cotter Rare Books at https://www.wscotterrarebooks.com/

(4) California Historical Society Quarterly, Sep., 1955, Vol. 34, No. 3 (Sep., 1955), pp. 231-237.

(5) Special thanks to STM and BM for their assistance.

The Archivist’s Nook: Morris J. MacGregor – Historian of Racial Justice

Morris J. MacGregor (1931–2018), who died three years ago this month, was a native Washingtonian and an alumnus of The Catholic University of America. Over his lifetime he served both his country and his church; as a dedicated and fearless historian, he documented the tangled record of both the United States Army and the Roman Catholic Church on the tortured subject of race relations. I was acquainted with him first and foremost in my capacity as an archivist who provided him access to primary source materials for his research and writing. But he was also a friend who mentored me in my own historical writings and who gave me very sage advice at a crucial time on how best to face my wife’s terminal cancer prognosis.
Morris MacGregor. The Cardinal Yearbook, 1953. Special Collections, The Catholic University of America.

MacGregor was born on October 11, 1931 in Washington, D.C. to Morris J. MacGregor, Sr. (1903–1979), a paper salesman, and Lauretta Cleary MacGregor, a homemaker. He grew up in nearby Silver Spring, Maryland, and attended the now defunct Catholic boy’s school at Mackin, the old St. Paul’s Academy, in Northwest Washington.  He earned his bachelor’s in 1953 and his master’s in 1955, both in History, from Catholic University, and also studied at Johns Hopkins University, 1955–1959, and the University of Paris on a Fulbright Scholarship, 1960–1961. He was an affiliate of the U.S. Army Center of Military History in Washington, D.C., 1959–1960. He then served as an historian of the Historical Office of the Joint Chiefs of Staff in Washington, 1960–1966, then as Acting Chief Historian of the U.S. Army Center of Military History, 1966–1991.

Integration of Armed Forces 1981 by Morris J. MacGregor. Courtesy of Amazon.com.

One of his books, The Integration of the Armed Services, 1940–1965 (1981), received a commendation from then-Secretary of Defense Caspar Weinberg and is still considered an authoritative account of this sensitive subject. In it, MacGregor addresses how the military moved from reluctant inclusion of a few African Americans to their routine acceptance in a racially integrated establishment. This process was, he argues, part of the larger response to the civil rights movement that challenged racial injustices deeply embedded in American society. MacGregor’s book also explores the practical dimensions of integration, showing how the equal treatment of all personnel served the need for military efficiency. His other military studies include two edited works with Bernard Nalty—the 13-volume Blacks in the Armed Forces (1977) and Blacks in the Military: Essential Documents (1981)—as well as Soldier Statemen of the Constitution (1987), co-authored with Robert K. Wright, and The United States Army in World War II: Reader’s Guide (1992), co-authored with Richard D. Adamczyk.

The Emergence of a Black Catholic Community, the second of three CUA Press books written by Morris J. MacGregor. Courtesy of Amazon.com

A practicing Catholic, MacGregor authored several books on American Catholic History, including The History of the John Carroll Society, 1951–2001 (2001), published by the John Carroll Society in Washington, D.C., and three published by Catholic University Press. The first was A Parish for the Federal City: St. Patrick’s in Washington, 1794–1994 (1994).  St. Patrick’s is the oldest Roman Catholic parish in Washington, D.C., witnessing the city’s evolution from a struggling community into a world capital.  As Washington’s mother church, MacGregor argues it transcended the usual responsibilities of an American parish; its diverse congregation has been pivotal in shaping both national policies and the history of the Catholic Church in the United States.  The second was The Emergence of a Black Catholic Community: St. Augustine’s in Washington (1999), which presented in detail the history of race relations in church and state since the founding of the Federal City. MacGregor relates St. Augustine’s from its beginning as a modest chapel and school to its development as one of the city’s most active churches. Its congregation has included many of the intellectual and social elite of African American society as well as poor immigrant newcomers contending with urban life.  The third was Steadfast in the Faith: The Life of Patrick Cardinal O’Boyle (2006), an account of the churchman responsible for the racial integration of D.C. Catholic Schools as well as a driving force in Catholic Charities.

A Catholics in the Civil War themed issue of Potomac Catholic Heritage, Fall 2006. Special Collections, The Catholic University of America.

MacGregor was a member for many years of the Catholic Historical Society of Washington, D.C., serving as co-editor and contributor, along with friend and fellow Catholic University alum Rev. Paul Liston, of the Society’s quarterly glossy magazine, Potomac Catholic Heritage (previously the Society’s Newsletter), 2005–2015. Issues of the publication are archived in the Special Collections at Catholic University along with many records that were central to MacGregor’s research on the American Catholic Church, especially in relation to African Americans (see our research guide on African American History Resources).

The Archivist’s Nook: Telling Us Who They Are

The manuscript was originally submitted in April 1966 as a Ph.D. dissertation for Catholic University’s Department of Anthropology under the title “Behavior and Values of Streetcorner Negro Men.” Under the title “Tally’s Corner,” it doubled as Liebow’s Final Report for Project No. M-MHSC-59 in the Adolescent Process Section of the Mental Health Study Center at NIMH.

Elliot Liebow (January 4, 1925–September 4, 1994) was an anthropologist best known as the author of Tally’s Corner: A Study of Negro Streetcorner Men (1967, Little, Brown and Co.) and Tell Them Who I Am: The Lives of Homeless Women (1993, Free Press).

The two books, written more than twenty-five years apart, rather neatly bookend Liebow’s career at the National Institute of Mental Health (NIMH), over the course of which he rose to become Chief of the Center for the Study of Work and Mental Health. While Tally’s Corner—originally submitted as a Ph.D. dissertation to Catholic University’s Department of Anthropology—had grown out of research that Liebow conducted through the Health and Welfare Council of the National Capital Area on a grant from NIMH, Tell Them Who I Am punctuated the end of his career with the federal government. Liebow wound up writing Tell Them Who I Am after abruptly retiring on disability in 1984, having been diagnosed with inoperable prostate cancer and given six or eight months to live. (See Biographical Note and the preface to Tell Them Who I Am for further details.) Happily, he lived for another decade after his diagnosis.

The symmetry of Liebow’s two books is underlined by the fact that both are examples of participant observation—a traditional anthropological approach which until Tally’s Corner had rarely been applied in a Western, urban setting. “In participant observation,” Liebow explains in the preface to Tell Them Who I Am, “the researcher tries to participate as fully as possible in the life of the people being studied” (p. vii). He goes on to poke fun at himself “Doing Research (that is, hanging around)” (p. x). Despite his modesty, Liebow’s ability to get close to his subjects is the stuff of legend. In his foreword to the 2003 edition of Tally’s Corner, Charles Lemert marvels at Liebow’s informality with Sea Cat: “Liebow “flopped” on the bed. When the condoms fell out, he felt no shame either in putting them away for Sea Cat or in asking about his use of them” (p. xi). Similarly, in her review of Tell Them Who I Am—which she calls “a work full of pathos and insight”—Katherine S. Newman of Columbia University’s Department of Anthropology writes: “Virtually every social scientist in the United States was raised on a diet that included Tally’s Corner. Elliot Liebow is the exemplar of the engaged ethnographer” (see Box 49, Folder 33).

Beloved classic though it is, Tally’s Corner (1967) has regularly been critiqued for the inclusion of the word “Negro” in its subtitle. A notable example of this critique (among others) in the Liebow papers comes from letters written in 1974 by Black students, who, not even ten years after the book’s publication, largely find it dated and distasteful (see Box 11, Folder 5).

The Liebow papers provide strong evidence of his research methods in participant observer studies. That said, the overwhelming majority of his copious field notes and tape recordings must be kept closed for the time being out of consideration for the privacy of his informants. Per the terms of the gift agreement signed by Harriet Liebow (Liebow’s widow), “field notes and related material, marked ‘confidential,’ […] shall be subject to a sixty (60) year restriction from the date of creation of said notes.” The finding aid indicates which materials are open for research and which are closed (and until when).

The first time I heard Liebow’s voice, I was surprised by how deep it was. I was listening to some tape recorded life history interviews with informants for Tell Them Who I Am (see Box 50), and I couldn’t help but be charmed by his parting words to one especially deferential interviewee: “You don’t have to call anybody anything but their first names,” he assured her, “[no] Miss Anybody […] and it’s just plain Elliot.” Tape recordings like that one offer some of the most vivid pictures of Liebow to be found anywhere in the papers; unfortunately, the collection contains very few photographs of him (and what few there are are rather poor quality). Because his role as participant observer seems so unavoidably personal, I found the lack of photographs both frustrating and tantalizing. While it’s true that he gives physical descriptions of himself in both of his books—6’1” tall, 185 pounds at the time of Tally’s Corner (p. 164) and ten pounds lighter, with white hair, by the time of Tell Them Who I Am (p. x)—these cursory accounts fall far short of capturing his charisma. In an obituary that appeared in the November 1994 issue of Anthropology Newsletter, Kim Hopper, the one-time president of the National Coalition for the Homeless, recalls Liebow’s incredible capacity to disarm (see Box 49, Folder 47):

Liebow was a consummate (some would say relentless) ethnographer and teacher. Two cardinal virtues of that dual profession—an ability to listen closely and a gift for storytelling—he held in abundance. Legend (confirmed) has it he once interviewed two men he had interrupted in the process of stealing the alternator from his parked car. (They desisted; “Give the man back his bolts!,” one of them reminded the other as they took their leave.) “It’s amazing what you can learn if you just don’t get excited,” was Liebow’s comment on the episode.

Perhaps the most lingering and impressive aspect of the Liebow papers is the documentation of his so-called retirement, during which, faced with his own imminent death, he steadfastly went on telling us who they are—tossing out stereotypes of the underclasses, just as he had in Tally’s Corner.

On July 11, 1986, Liebow was appointed the first occupant of the Cardinal O’Boyle Chair at Catholic University’s National Catholic School of Social Service (NCSSS). In January 1990, he was presented with Catholic University’s President’s Medal.

To learn more about the Elliot Liebow Papers, please see the newly published finding aid.

The Archivist’s Nook: Christopher J. Kauffman – American Catholic Historian

Guest blogger Tricia Pyne. Ms. Pyne is director of the Associated Archives at St. Mary’s & University in Baltimore, MD. She earned her doctorate in U.S. history from The Catholic University of America. Dr. Kauffman was on her dissertation committee.

Dr. Christopher J. Kauffman, educator, scholar, mentor, husband, father, colleague, and friend passed into the hands of God on January 30, 2018.

Dr. Kauffman was the youngest of four children born to Dr. Daniel E. Kauffman and Bernice O’Brien, in St. Louis, Missouri. He was raised by his mother and maternal grandfather after the premature death of his father. He attended parochial schools before entering St. John’s University in Collegeville, Minnesota, where he earned his B.A. Graduate studies at St. Louis University followed, where he earned a M.A. and Ph.D.

His first meaningful foray into U.S. Catholic history was through a series of institutional histories he was commissioned to write. The first was a two-volume history of the Alexian Brothers (1976) followed by histories of the Knights of Columbus (1982), the U.S. Province of the Society of St. Sulpice (1989), the founder of the Glenmary Home Missioners (1991), the U.S. Catholic healthcare system (1995), and the Marianists in the United States (1999). The writing of institutional histories was a genre Dr. Kauffman not only mastered, but helped to transform.

Dr. Christopher Kauffman poses near a few of his many Catholic histories. (Image: Special Collections, The Catholic University of America)

While researching and writing these works, he also served as general editor for two highly-regarded series, the six-volume Makers of the Catholic Community (Macmillan), commissioned for the bicentennial of the establishment of the U.S. Catholic hierarchy and published in 1989, and the nine-volume American Catholic Identities: A Documentary History (Orbis Books) published over the period 1999-2003. If his institutional histories had established him as one of the field’s leading historians, the influence of these two series was even more far-reaching. Both encompassed a broad range of topics associated with U.S. Catholic life that represented the evolution of the field’s historiography with volumes dedicated to the issues of gender, race, ethnicity, regionalism, spirituality, Catholic thought and practice, and episcopal leadership. Makers of the Catholic Community signaled the sea change that had been occurring within the field with its shift from traditional ecclesiastical history to the new models of social history. American Catholic Identities reflected his ongoing commitment to recognizing the diverse experiences of the people that comprise the U.S. Catholic community.

In September 1989, Dr. Kauffman began another important phase of his life when he entered academia with his appointment to The Catholic Daughters of the Americas Chair in American Catholic History at The Catholic University of America in Washington, D.C., a position he held until his retirement in 2008. In this role, he instructed undergraduates and graduate students in the classroom and served on the committees of many M.A. theses and Ph.D. dissertations.

His greatest contribution to the profession, however, began when he took over as editor of the U.S. Catholic Historianin 1983, a position he held for the next 30 years. This was not the first journal he had been associated with in his career. While in St. Louis, he had served as associate editor of Continuum, the journal founded by his close friend and mentor, Justus George Lawlor. The experience helped prepare him for this new undertaking. To describe Dr. Kauffman as an editor, or the U.S. Catholic Historian, as a journal, however, does not convey what he achieved through this publication or what it came to represent to the profession. He used the journal, with its distinctive thematic format, to promote new scholarship, provide a forum for diverse and frequently underrepresented voices, encourage dialogue across disciplines, and challenge both contributors and readers to examine issues from new perspectives.

Dr. Kauffman poses with several books he edited as part the Makers of Catholic Community series he edited in this 1990 photo. (Photo by Denise Walker, Catholic University Archives)
Baltimore Archbishop William Borders gifts Pope John Paul II with the series of books edited by Dr. Kauffman and published in 1989, Makers of the Catholic Community. (Image courtesy Archdiocese of Baltimore)

Dr. Kauffman’s contributions to the profession were recognized with his election as president of the American Catholic Historical Association in 2004 and at a conference organized by the Cushwa Center for the Study of American Catholicism the following year aptly entitled “The Future of American Catholic History.” His gifts to the larger Catholic community in his role as historian will be longer lasting. Through his commitment to exploring what he described as “the interaction between religion and culture and between faith and lived experience so as to provide an integrated perception of the organic character of Catholic life” he helped to broaden and enhance how we understand the U.S. Catholic experience. To honor his memory and continue his legacy, an effort is underway to fund the Christopher J. Kauffman Prize in U.S. Catholic History with the American Catholic Historical Association. The prize is to be awarded to the author of a monograph that provides new and/or challenging insight to the study of U.S. Catholic history. Please contribute today at: https://achahistory.givingfuel.com/make-a-gift-to-the-acha.

 

 

 

The Archivist’s Nook: Catherine Ann Cline – An Historian for All Seasons

Catherine Cline with CUA President, William J. Byron, S.J. ca. 1990. Catherine Ann Cline Papers, Special Collections, The Catholic University of America.

March is Women’s History Month, so why not celebrate a pioneering woman who was an historian: Catherine Ann Cline, distinguished scholar of Great Britain in the twentieth century and former chair of the History Department at The Catholic University of America in Washington, D.C.  She was especially interested in the rise of the British Labour Party and the roots of the British appeasement of Fascism in the wake of the controversial Treaty of Versailles that ended the First World War. Cline was also a gifted teacher of erudition who mentored many students as well as being a lover of the arts. Her archival papers are among those of many notable History department faculty along with those from other disciplines at Catholic University housed in Special Collections.

Cline’s framed clipping of the so called ‘Lost Battalion’ in which her father served in the First World War. This is the name given to the nine companies of the 77th Division, about 550 men, isolated by German forces after an American attack in the Argonne Forest in October 1918. Nearly 200 were rescued but the remainder were killed, captured, or missing. Catherine Ann Cline Papers, Special Collections, The Catholic University of America.

Cline was born on July 27, 1927 in West Springfield, Massachusetts, to Daniel E. Cline and Agnes Howard. She earned a B.A. from Smith College in 1948, an M.A. from Columbia University in 1950, and a Ph.D. from Bryn Mawr College, where she worked with Felix Gilbert. She taught at a number of universities between 1953 and 1968: Smith College, St. Mary’s College of Indiana, and Notre Dame College of Staten Island. In 1968, Cline became an associate professor of history at Catholic University and rose to full Professor in 1974. She served as Chair of the History Department from 1973 to 1976 and again from 1979 to 1982. Noted for her integrity, and in recognition of her long service to Catholic U she was awarded the Papal Benemerenti Medal on April 10, 1995, Catholic U’s Founders Day. She continued teaching at CUA until her death in 2006 after a long illness.

Book cover of Catherine Cline’s 1963 book exploring the rise of the British Labour Party. Catherine Ann Cline Papers, Special Collections, The Catholic University of America.

Cline was an expert in modern British history, especially the early twentieth century and the rise of the Labour Party. She was the author of the book Recruits to Labour: The British Labour Party, 1914-1931 (1963). It was an innovative prosopography of nearly seventy political converts in the era of the First World War who reshaped Labour’s domestic and foreign policy in the postwar environment.  Cline’s second book, E. D. Morel, 1873–1924, The Strategies of Protest (1981), is an authoritative political biography of an outspoken reformer who demanded democratic control over British diplomacy. He was jailed during the war by the British government for his anti-war activism.[1] Morel is also notable for defeating Winston Churchill in the 1922 Parliamentary election, taking Churchill’s Scottish seat in Dundee and effectively knocking Churchill out of the Liberal Party. Churchill only found has way back into Parliament later as a Conservative.

Cover of Catherine Cline’s 1981 biography of Labour reformer E. D. Morel. Catherine Ann Cline Papers, Special Collections, The Catholic University of America.

Cline’s third area of research, published in articles in The Journal of Modern History and Albion and presented in papers at scholarly conferences, examined British public opinion and the Treaty of Versailles. Seeking the roots of British appeasement, she uncovered ways that British elites promoted a negative view of the peace treaty and their impact on interwar diplomacy. She also wrote numerous articles and book reviews for the American Historical Review, Catholic Historical Review, and Church History. Additionally, she was a research fellow of the American Philosophical Society and a member of the Faculty Seminar on African History at Columbia University as well as a member of the American Historical Association, the American Catholic Historical Association, and the Conference Group on British Studies. She served on several prize committees of these organizations.[2]

Her former colleague and distinguished professor of British history in his own right, Dr. Lawrence Poos, described Cline as:

“Cathy Cline was instrumental in my being hired as a faculty member in the History Department, and what I remember of my first impression of her is what remained throughout her career here and after her retirement: personally and professionally she was gracious, in an old school sense (and I mean that as a most sincere compliment).  Even when she was strongly opposed to something, she would find the right occasion to make her opinions clear in the proper setting.  She was also famous for the New Year’s breakfast (really, brunch) she hosted in her apartment each year, in homage (so we always understood) to the famous salon-style breakfasts and conversations of Victorian Prime Minister William Gladstone.”[3]

In conclusion, while I only met her briefly a few times on campus, I was most impressed by her first published work, before she emerged as a scholar of modern Britain, which was an excellent 1952 article [4] on the coal fields of eastern Pennsylvania, a subject near and dear to my heart. It always struck me that the gain to British labour history was a loss to American labor history!

[1] Carole Fink, February 1, 2006. American Historical Association web site- https://www.historians.org/publications-and-directories/perspectives-on-history/february-2006/in-memoriam-catherine-ann-cline

[2] Ibid.

[3] Poos to Shepherd, email, March 3, 2020.

[4] Cline, Catherine Ann. ‘Priest in the Coal Fields, The Story of Father Curran,’ Records of the American Catholic Historical Society of Philadelphia, Vol. 63, No. 2 (June 1952), pp. 67-84.

The Archivist’s Nook: The Priestly Labors of John M. Hayes

Guest author is Steve Rosswurm, Professor of History, Emeritus, at Lake Forest College, and author of The FBI and the Catholic Church (2009), The CIO’s Left-Led Unions (1992), and Arms, Country and Class (1987). 

Fr. John M. Hayes, n.d. Special Collections, Catholic University.

Archbishop Wilton Gregory, recently named the first Afro-American cardinal of the Church, more than once has pointed to Monsignor John M. Hayes (1906-2002) as the cleric who inspired him to become a priest.  Prior to that, Hayes also had “attracted” another young man to the Catholic priesthood: the sociologist and novelist Father Andrew Greeley, who dedicated Golden Years, part of the O’Malley family saga, to the monsignor.

Hayes did much in Chicago besides influencing Gregory and Greeley.  He served for years at St. Carthage, where he first encountered the Gregory family, and for even longer at Epiphany from he retired in 1976.  He was involved in the civil rights movement – heading up a group of priests who went to Selma in 1965 – and other social justice issues.  He was named a monsignor in 1963.

The four years that Hayes spent at the Social Action Department (SAD) of the National Catholic Welfare Conference, though, are often forgotten. This installment of the archivist’s nook focuses on his tenure there.

For two reasons, Hayes was the only person the SAD considered for their new position.  First, as a Chicago labor priest mentored by Monsignor Reynold Hillenbrand, he had actively supported union organizing drives and strikes.  Hayes, moreover, had taught at Catholic labor schools and participated in the Catholic Worker movement.  His talk in 1938 at Summer School for Social action for Priests not only nicely summarized the possibilities for social-action work for priests, but also solidified his reputation throughout the country.

Fr. Raymond McGowan, Director of the NCWC Social Action Department, with Linna Bresette, and two unidentified men, n.d. Special Collections, Catholic University.

Second, Hayes was well suited for SAD’s future plans.   It had spear-headed the Church’s turn to the Catholic working class that had begun in 1935.  This move, a way to “restore all things in Christ” by implementing Catholic social teaching as laid out in Rerum Novarum (1891) and Quadragesimo Anno (1931), focused on educating and supporting clerics in the drive for unionization in industries where Catholics comprised a large proportion of workers.  As a way of doing this, the SAD had organized and overseen priests’ labor schools throughout the country.  It also had acted as a clearing house and organizing center for labor priests’ local activities, especially in the industrial heartland.  The SAD staff, including Monsignor John A. Ryan and Father Raymond McGowan, were spread thin by the time Hayes arrived in 1940.

Hayes accomplished at least three significant things during his tenure at the SAD from 1940 through early 1944.  One of his first acts proved to be the longest lasting and most significant.  On December 1, 1940, the first issue of Social Action Notes for Priests appeared.  For clerics only, this newsletter connected labor priests throughout the country, keeping them informed, notifying them of resources, boosting their spirits, and, influencing their thinking.  By June, 1944, about 700 were on the subscription list; that number more than doubled in the next two years and continued to grow well into the 1950s.

Second, Hayes engaged in an extraordinary correspondence with labor priests throughout the country.  In an effort to search out the names of priests interested in social action, he wrote inquiry letters to many areas of the country.  He also sent out detailed questionnaires concerning clerical labor activity and provided summary reports in Social Action Notes.

A later issue of Social Acton Notes for Priests. Special Collections, Catholic University.

Much of Hayes’ correspondence, though, originated in response to letters from throughout the country.  Labor priests, both veterans and novices, wrote to him because he had information and answers.  Hayes provided advice, shared resources and contacts, spread the news about successes and defeats, and offered encouragement. When necessary, moreover, he intervened in the internecine warfare that periodically broke out in Catholic labor circles.

Amidst all this work, finally, Hayes produced a remarkable paper: “Priests and Reconstruction – a Few Thoughts.”  Derived from Hayes’ immersion in CIO organizing campaigns in Chicago, his study of current economic conditions, and his work with Hillenbrand, “Priests and Reconstruction” decisively re-conceptualized Catholic thinking about society and salvation.

Catherine Schaefer; Fr Raymond McGowan, Fr George Higgins. n.d. Special Collections, Catholic University

Hayes began with “radical evils” in America’s “economic side of life” because they were both “fundamental and causative.”  The “physical results” of these evils – some institutional and others individual – were an “inequitable distribution of property” and “inadequate incomes.”  The “resulting spiritual loss” was sizeable: “economic immorality” involved “at least in some cases, serious sin;” “the working out of the system” leaves “people so materially depressed as to handicap virtuous living” or “impels the well-to-do and others to obsession with business or dishonesty and injustice.”  “[S]piritual losses” were “accentuated” among the “poor” and ‘reformers,’ Hayes argued, when the Church was “indifferent to, or ineffective in, attacking the causes, not to speak of alleviating existing hardships.”

How ought the Church and its clergy respond?  “[I]ndividual righteousness,” of course, deserved attention, but, drawing upon Papal teaching, Hayes argued that “We should influence social-economic life, directly and indirectly.”  It was true that “Church exists” to “unite men with God in Heaven,” but this was a “long earth-bound process.”  The work of “building a good natural order” could “not be distinguished in practice” from that of “enhancing supernatural life.”

Hayes’ assertion that the road to salvation was a “long earth-bound process” meant not a retreat from the world into spiritual enclaves, but rather a courageous encounter with it was an extraordinarily important insight and breakthrough.  “Priests and Reconstruction” more generally indicated the theological and sociological bases upon which the Church would operate for the next decade or so.

Hayes, however, was not at the SAD during that period.  Sometime in late 1943 or early 1944, he was diagnosed with tuberculosis, so, at his doctor’s recommendation, he went to San Antonio, which the pro-CIO Bishop Robert E. Lucey headed.  There, after recovering, he taught at Incarnate Word University, served as Lucey’s social action director, and regularly wrote columns for the diocesan paper.  In 1953, he returned to Chicago.

Coda.  Another Chicago priest, Father George Higgins, replaced Hayes at the SAD and remained there until 1980.  For many of those years, he chaired the department.

 

OLL Blog – Manoel Cardozo: His Contributions to CUA and the Oliveira Lima Library

By Erin Mir-Aliyev  

Master of Science in Library and Information Science – The Catholic University of America

Flora de Oliveira Lima Fellowship for Graduate Students in Library and Information Science – The Oliveira Lima Library

 

         One of the most important figures in the development of the Oliveira Lima Library during the mid to late twentieth century is its former curator, Manoel Cardozo. Though Cardozo was a well-known scholar within the fields of Brazilian, Portuguese, and Latin American studies, not many members of the wider Catholic University community or the general public know who he was or understand the role he played during his time at Catholic University. Recognizing this, and wishing to remember his contributions at the 35th anniversary of his death this December 15th, the highlights of his career have been outlined here to provide readers with an idea of his accomplishments and his legacy. 

Cardozo’s Dynamic Academic Career

Caption reads: “Luncheon meeting of those interested in Latin-American Affairs, Dec. 6, 1961. L to R- Seated: William Manger, Georgetown U., Howard F. Cline, Hispanic Foundation, Father Mathias C. Kiemen, O.F.M., Editor, The Americans. Standing: Kenneth J. Bertrand, CUA, Colby R. Hatfield, Jr., CUA, John J. Finan, American U., and Manoel Cardozo, CUA.” Image source: The American Catholic History Research Center and University Archives, The Catholic University of America.

As an academic, Manoel Cardozo was involved in a wide variety of scholarly activities within the local Catholic University community, and also on a national and international level. Beginning in 1940 he was a lecturer, then from 1954 a full professor, of Brazilian and Portuguese history and literature. He then headed the Catholic University history department for a decade between 1961 and 1971, in addition to various other academic and administrative positions. He was also President of the Catholic Historical Association in 1962, as well as being active throughout the 1940s, 50s, and 60s in organizations such as the Conference on Latin American History of the American Historical Association and the American Association of University Professors, attending international meetings and conferences such as the Congress on the Expansion of Portugal in the World, and serving on the Board of Directors of two major publications, The Americas and the Catholic Historical Review. We are aware that he was a significant mentor to at least one CUA history student, Karl M. Schmitt, whose photographic collection resides in the American Catholic History Research Center and University Archives. Through various archived newspapers, we can tell that he organized exhibitions of Brazilian art or other materials depicting themes or subjects relevant to the library’s collections. Cardozo’s research and lecture activities led him on many occasions to travel across the United States, to Europe, especially Portugal, and to multiple countries in Latin America, including Brazil. His work earned him multiple awards, including the Benemerenti Medal in 1974, a medal awarded by the Pope in recognition of service to the Catholic Church.

Manoel Cardozo working at the Oliveira Lima Library.
Image source: “Manoel De Silveira Cardozo I.A.17-1.” The American Catholic History Research Center and University Archives, The Catholic University of America.

Curatorship of the Oliveira Lima Library

         After the death of Manoel de Oliveira Lima’s wife and assistant librarian, Flora, in 1940, Cardozo took over the curatorship of the Oliveira Lima Library. As the child of Portuguese parents who had immigrated to California, a successful student at Stanford University, and the former mentee of the prominent Latin American scholar Percy Alvin Martin, Cardozo had the personal background, education, experience, and enthusiasm that made him an ideal candidate to care for Manoel de Oliveira Lima’s book collection and archival documents, and to establish it as a permanent part of the Catholic University Library for future generations of students and researchers.  

         His many tasks at the library included continuing to accession and catalog rare and modern books, organize the archives, and care for the many pieces of valuable artwork contained in the collection. Records and articles also show that he travelled internationally specifically to collect new books for the library.

Writings

         Something else Manoel Cardozo left behind that allows us to understand him and still influences researchers today is the writings he produced. While pursuing his academic career and serving as Oliveira Lima Library’s curator, Cardozo was also a prolific writer. His work encompasses a wide variety of topics and types of materials, including political, religious, diplomatic, and intellectual history, and pamphlets, journal articles, newspaper articles, and reviews of others’ works. Many of the materials he produced are available and searchable at the Oliveira Lima Library or in Mullen Library, or are otherwise available through the CUA catalog.

         A project by Oliveira Lima Library staff this fall to collect various materials about, by, or associated with Cardozo available through the CUA library has so far resulted in more than 230 items of which he was the main author or otherwise a contributor, over 70 newspaper articles with mention of him, and almost 75 items present within the Oliveira Lima Library with inscriptions by or to him, or stamps or other signs of ownership by him. Most of his writing was done in English, though occasionally he did write in or review works in Portuguese, demonstrating a knowledge of at least two languages. Some examples of his works include The Latest Word on Portuguese Orthography (1944), Oliveira Lima and the Writing of History (1954), and Slavery in Brazil as Described by Americans, 1822–1888 (1961), demonstrating a range of topics such as language, Manoel de Oliveira Lima himself, and slavery in society and history. Newspaper articles revealing his involvement in activities around campus and elsewhere include an article mentioning his role in the Foreign Students’ Association planning for a festival, (1954), another article mentioning him as moderator in a televised discussion among faculty members (1964), and a third article about him leading a summer school-affiliated tour through Latin America (1951). Representing a sample of books showing ownership by Cardozo, the book Antropologia e História (1954) contains an inscription by its author to Cardozo, Indice de Biobibliografia Brasileira (1963) contains a note saying it is a presentation copy by Manoel Cardozo to the library, and Latin America, A Modern History (1958) contains an ownership stamp, and possibly the personal notes of, Manoel Cardozo. These details help reveal or indicate what he found interesting or valuable, how he interacted with other professionals, and his activities as curator.

Manoel Cardozo at the Oliveira Lima Library in 1985.
Image source: The American Catholic History Research Center and University Archives, The Catholic University of America.

While we will likely uncover much more information as our staff works further on this project and works through cataloging the Oliveira Lima collection, the accomplishments mentioned above offer a little insight into who Manoel Cardozo was as an individual, his passion for Latin American history and culture, and his dedication to providing CUA faculty and students, as well as those outside the CUA community, with more resources about these topics. 

 

 

The Archivist’s Nook: Celebrating Christmas with The Young Catholic Messenger

Young Catholic Messenger, Christmas Edition, 1891, with poem ‘The Babe of Bethlehem,’ by Eleanor C. Donnelly and engraving by O. Weimar. Special Collections, Catholic University.

A few years back our blog featured covers for New Year’s editions from the digital version of our Young Catholic Messenger collection. It was a premier title from Catholic publisher, George Pflaum, located in Dayton, Ohio, between the years 1885 to 1970.  In the nineteenth century, Protestant Americans were not very welcoming to the millions of newly arriving Catholics. By the 1880s, these immigrants created a network of parish and parochial schools which taught their own religion and culture. Catholic schooling naturally necessitated having a Catholic educational publishing system. Pflaum, being a pioneer publisher in this field, produced the Young Catholic Messenger, the Junior Catholic Messenger, Our Little Messenger, and, following later the Treasure Chest of Fun and Fact comic book, from 1946 to 1970.

Young Catholic Messenger, Christmas Edition, 1909, with poem ‘Happy Christmas,’ by A. F. Klinkner and painting by William Dobson. Special Collections, Catholic University.

In celebration of Christmas, please see highlights and select examples of YCM Christmas covers culled from several key decades during its existence. The first, created in 1891, featured both a poem and an engraving. Philadelphian author, Eleanor C. Donnelly (1838-1917), was a well-known Catholic writer of her time and created the poem ‘The Babe of Bethlehem.’ Known as ‘The Poet of the Pure Soul,’ she was quite prolific, having over thirty books and pamphlets, and hundreds of poems to her name. She also edited a magazine called Our Lady of Good Counsel, as well as The Catholic Standard and Times, the weekly Philadelphia diocesan newspaper. A collection of her works is held by Villanova University. The engraving, by O. Weimar, depicts sleeping children exhausted from playing with their presents while protected by angels.

Young Catholic Messenger, Christmas Edition, December 20, 1935, with poem ‘The Carol of a Star,’ by Alice P. Clark. Special Collections, Catholic University.

The second cover, published in 1909, is in much the same vein as that of the one nearly twenty years earlier, consisting of both a poem and a painting. This poem, titled ‘Happy Christmas’ is relatively unknown. The painting is a work created by William Dobson (1817-1898), the English painter known for his religious scenes. Not only was he associated with the Royal Academy and the Royal Watercolour Society,  he also spent time on artistic pursuits in Germany, France, and Italy. The third cover, created in 1935, presents ‘The Carol of a Star,’ by Alice C. Clark, and is illustrated with a ring of various related scenes from the first Christmas, while the fourth and final cover, dated from 1965, reflects the turmoil that existed during the 1960s. The theme pertains to the Biblical question that asks if there is room at the end for weary travelers. This contemporary rendition connects the cover art with a short story about the plight of refugees arriving from totalitarian communist regimes like Cuba and Vietnam.

Young Catholic Messenger, Christmas Edition, December 17, 1965, ‘Will There be Room at the Inn?’ Special Collections, Catholic University.

Special Collections at Catholic University is currently seeking The Young Catholic Messenger volumes 1-6, 1885-1890; volumes 8-24, 1892-1908; volumes 26-28, 1910-1912; and volumes 32-40, 1915-1925. We would be pleased to receive either individual issues or full volumes as a donation, loans for scanning, or links to copies that were scanned elsewhere. We would be happy to discuss fees required. For more information, please contact us via email at lib-archives@cua.edu. For additional Christmas blog posts, please see ‘A Merry Treasure Chest Christmas to All,’ ‘A Very Merry Christmas from Fathers Hartke and Magner,’ and ‘The American Christmas Songbook’ series by Thad Garrett. Best wishes for a COVID free Christmas and 2021!