“Black Theology arises from the experience of being black and oppressed in the United States. It is a theology which seeks, first, to speak to Black people where they are now. It explains what it means to them to be black and Christian. Only then does it look beyond the Black community and present itself, without apology, to the white Christian world.
—Diana Hayes, 1985 Dissertation titled Historical Experience and Method in Black Theology: The Interpretation of Dr. James A. Cone, submitted to the Faculty of the School of Theology at the Catholic University of America.
The quoted text is from the dissertation of a previous Catholic University of America theology student and is representative of the many powerfully-written hermeneutical texts that were authored by students and collected by Father Davis in his exploration of the Black American Catholic experience.
Cyprian Davis was one of the great theologians, exegetes, liturgiologists, homeletes and (what the Swahili call a mwanafalsafa) to emerge from the African American Catholic tradition and the Catholic tradition as a whole. His work was focused on racial reconciliation, racial unity, the unity of the church, the evolution of the African American Catholic identity, and the healing of a people who carry the genetic scars of enslavement.
The literatures of the Davis collection are emblematic of what any descendant of the Africans who were brutally snatched from their homelands and placed into a vile system of chattel enslavement in order to build The United States of America into the greatness that it is today, would intuitively know: that the historical and contemporaneous African American experience is one of dizzying permutation. It is a disparate amalgamation of social forces and perplexities that has been aptly characterized by the Rev. Dr. Otis Moss III as a blue note existence—one in which the existential mood is premised upon the contrasting nature of all things bittersweet. This notion of contrasting forces as coessential to one another, is a conceptualization that is prevalent throughout the history of West African philosophical schools of thought and is critical to the African understanding of the world. The West African cerebration of metaphysic coessentiality and complimentary opposing forces within the natural world was exhaustively investigated and expertly exposited by Marimba Ani in her 1994 monograph called Yurugu. Metaphysical coessentiality is the ethereal, spiritual marrow that is responsible for the superhero endurance that African Americans have shown throughout the history of the Atlantic World and it is the foundation on which Davis’ epistemology rests.
The Black spiritual and religious tradition is often simply referred to as The Black Church; however, this phrase is indicative of an uninformed, undistinguished, monolithic view that belies the multifactorial nature of the African American spiritual tradition and how it was transmuted by White Christian violence that was enacted as a means of perpetuating African American enslavement and dehumanization, and as a means of destroying African American’s own centuries old West African spiritual traditions by having the church decree them as evil witchcraft that would need to be denounced or one would suffer grave tortures to ensure that this occurred.
While Christianity was largely unknown to African Americans, it was a faith that had noble roots in East African societies that are older than those in Rome. Despite the malefactions through which the African American religious tradition emerged, it was transformed by Africans’ creative nature through creolization and syncretism between traditional West African spirituality and the new religious tradition forced on African Americans.
What is most interesting about Father Cyprian Davis is evident throughout his collection—his remarkable quest to reconcile the ways in which the word of God had been hijacked and weaponized against African Americans. But how did Davis forge a space for African Americans?
As an archivist, Davis was not afraid of facing the ugliness of the Church’s history head on and exploited this history to bolster the physical, psychological, intellectual, and spiritual resilience of the African American Catholic community. Davis understood that the darkness of the past was inextricable from the light of the future, so he sought to prepare African American Catholics for a church that was in many ways no different from the world around it because the church had been historically and contemporaneously a hostile space for African Americans that would require the acuity of self-knowledge to navigate and to repair the institution. It was an incredibly bold way to usher in the spirit of reparation, through directly living out the Church’s values of human dignity and the mandate to protect the sacred nature of life.
The Cyprian Davis collection consists of 32 boxes of materials from the estate of Benedictine Fr. Cyprian Davis of St. Meinrad Archabbey in St. Meinrad, Indiana. The collection reflects his research into and interest in the history of black Catholics in the United States, black spirituality, and the National Black Catholic Clergy Caucus, which he helped found in 1968. The collection includes a wide range of materials, mostly printed, and reflects Davis’ multifaceted interests. Among the items are the records, agendas, and minutes from various conference proceedings, especially the National Black Clergy Caucus, the National Black Catholic Congress, and joint conferences. Also included are the records pertaining to a range of projects in which Davis was heavily involved, including the Black Hymnal Project and the Historical Commission in the Cause of Father Augustus Tolton (1854-1897). Davis’ notes and assembled research material relating to his most famous book, The History of Black Catholics in the United States (publ. 1990), and other research projects are also included, along with the texts of his various public addresses. The bulk of the materials span the period from the late 1960s to the mid-2000s.