In honor of Moogfest, next week’s fantastic electronic music/art festival in North Carolina (that I wish I was going to), this month I wanted to highlight some CUA connections to not only early electronic music, but also to Bob Moog himself, the inventor of the legendary synthesizer, and the person after whom Moogfest is named.
Would you believe that CUA was once a pioneering institution for experimental music? Founded in 1961 by Professor Emerson Meyers, the university’s Electronic Music Laboratory housed the most state-of-the-art recording equipment of the time, including one Moog synthesizer. This particular unit was one of the first manufactured; indeed, the School of Music was so eager to procure one that official manuals were not available at the time of purchase. How, then, did they figure out how to operate what was then a completely new kind of instrument? They wrote directly to Moog, who replied with pages and pages of technical instructions and hand-drawn diagrams that we still have here at the Archives. Faculty then used these documents to create in-house manuals for the equipment in the studio. Continue reading “The Archivist’s Nook: Provoking the Canon – Moog, Meyers, and Experimental Music”