The Archivist’s Nook: Resurgence

Lindsey Whalen at her Catholic U. Class of 2018 commencement celebration.

The University Archives recently acquired four photographic works by Lindsey Whalen, B.A. 2018, who presented her undergraduate thesis show Resurgence in the Salve Regina gallery during the fall of 2017.  

Lindsey’s work is a topically layered translation of her turbulent emotional state while healing from a dislocated ankle, a broken tibia, and a broken fibula that she sustained from a fall. Her medical treatment included fourteen screws, a metal plate, fifty-six stitches, and over two months of recovery.

Injury often causes dramatic physical and emotional transfiguration and these changes can intersect in unexpected ways; for Lindsey, her injuries affected her creative drive and threw her into a season of restlessness: “All summer, I didn’t touch my camera, my paint brushes, anything art related.”  

As the mental fog began to clear, Lindsey felt empowered to begin creating art again, but this time her work would bear the existential weight of her recent traumatic injuries—she alludes to this uncertainty by enshrouding her subjects in an atmospheric liquid that alternates between opacity and translucency; this mysterious liquid seems biomimetic and conjures a uterine environment, where new life is being created; but what lies beneath the liquid is inchoate, unreconciled, and not ready to be shared with the world.

Her work is an act of disruption because it precludes the audience’s inclination to arresting the feminine image and subjecting it to somatic critique as a function of addiction to harshly cross-examining images of women based on patriarchal heuristics that almost always impart a dimension of sensuality. By showcasing her own body as a palimpsest that is simultaneously in various states of erasure and composition she does not allow space for the audience to attempt to author meaning in her narration universe.

Lindsey’s work has now become part of the university archives and will be housed among materials from over 100 years ago; from an archival perspective, Lindsey’s work traverses the scale of time because it is intimate look into how a young woman at Catholic University defined herself through artistic acuity, it is a look into how this young woman related to the social reality of women and their visual representation in the late 2010s, and it is a look into how she visually harmonized injury; physical and emotional transmutation; beauty; and rebirth through practicing the craft of art as a biopsychosocial-spiritual mechanism. 

Headline piece from Lindsey Whalen’s Resurgence, featuring Lindsey

In 3018 (1,000 years from now) her work will form part of a network of materials contained in archives all over the world that have crystallized this very point in time—a significant generational zeitgeist that has been signified by the vast amounts of people who are using social media to hold traditional media accountable for poor visual representations of their communities and signified by the vast amounts of people who have eliminated traditional media as a factor in how they construct their social representations and relay their unique stories to the world. We are in an age where we can subvert the power that traditional media and print culture has had to dissolve our personal agency by taking our own photographs; through scripting and shooting our own films, through creating our own print publications, through writing our own books, and through using social media to discuss and distribute our stories in an environment that is not controlled by traditional media outlets.

For general interest in the museum art collection, please send inquiries to lib-archives@cua.eduPlease note the Archives does not do appraisals of non CUA Museum materials.

 

Resurgence – 2017 Undergraduate Thesis Show by Lindsey Whalen
(Speakers on medium volume!)

Begin Your Summer Reading Here!

Get your summer reading started here. Enjoy some light (or heavy) reading by checking our new additions to the popular reading book collection. You can find them on the first floor of Mullen Library in the Reference Reading Room.


Sunny Spring (via Giphy)

Hold your cursor over the Title to see a short description of the book, or click to view the catalog record. The status of the book is shown beside the call number.

Title Author Status
The Space Barons: Elon Musk, Jeff Bezos, and the Quest to Colonize the Cosmos
Christian Davenport
A Lady’s Guide to Selling Out Sally Franson
The Good Pilot Peter Woodhouse Alexander McCall Smith
The Female Persuasion Meg Wolitzer
Circe Madeline Miller
This Is Me: Loving the Person You Are Today Chrissy Metz
Blackfish City Sam J. Miller
The City of Lost Fortunes(Crescent City) Bryan Camp
If We Had Known Elise Juska
The Myth of the Nice Girl: Achieving a Career You Love Without Becoming a Person You Hate Fran Hauser
Noir Christopher Moore
Alternate Side Anna Quindlen
To Change the Church: Pope Francis and the Future of Catholicism
Ross Douthat
The Little Book of Feminist Saints Julia Pierpont, Illus by Manjitt Thapp
Broad Band: The Untold Story of the Women Who Made the Internet Claire Evans

Looking for more options? You can always see a full list of our Popular Reading books in the catalog, by searching under keyword, “CUA Popular Reading.”
For more great information from CUA Libraries, follow us on Facebook and Twitter:

Mullen Library Facebook; @CUAlibraries

The Archivist’s Nook: Speaking Labor to Power – W. B. Wilson

Photos of John Mitchell and W. B. Wilson from the pamphlet ‘Speech of William B. Wilson on Mitchell Day, October 29, 1901,’ Box 127, John Mitchell Papers, American Catholic History Research Center and University Archives.

Scottish immigrant and Pennsylvania coal miner, William Bauchop (W. B.) Wilson (1862-1934), became the voice of workers speaking to power as a founder of the United Mine Workers of America (UMWA) union, the first representative for labor in Congress, and the first secretary of labor in the Woodrow Wilson (no relation) administration. Although not a Catholic, W.B. worked during the Gilded Age and Progressive era to advance labor’s cause along with many Catholics such as T. V. Powderly, John Mitchell, John W. Hayes, and ‘Mother’ Jones. Wilson’s papers reside with the Historical Society of Pennsylvania in Philadelphia, but his documentary trail is well represented in the papers of his Catholic colleagues at the Catholic University of America Archives, and the digital version available by subscription at The History Vault.

W. B.’s family settled in the tightly controlled coal company town of Arnot, Tioga County, in the mountains of northern Pennsylvania. In 1871, not yet 10, Wilson went to work in the mines. As a young man he began to organize his fellow workers, becoming blacklisted by mine owners, and thus working a series of jobs as lumberjack, mill hand, and railroad worker. Active in the Knights of Labor, where he was a supporter of leader Terence V. Powderly, as evidenced by his letter of March 5, 1895. W. B. was also a founder of the United Mine Workers of America (UMWA) in 1890, serving on their National Executive Board though he remained an active coal miner until 1898. He served as UMWA Secretary-Treasurer, 1900-1908, working closely with President John Mitchell as his “wise and sagacious counselor”¹ during the Great Anthracite Coal Strike of 1902, winning higher wages, shorter working days, and national recognition of the union. During this time he also became a colleague of celebrated labor activist, ‘the Miner’s Angel,’ Mary Harris ‘Mother’ Jones, who usually addressed him as “My Dear Comrade’ in her numerous letters.²

Letter denouncing John W. Hayes, who had engineered the ouster of T. V. Powderly from leadership of the Knights of Labor. W. B. Wilson to T. V. Powderly, May 24, 1895, Box 48, T.V. Powderly Papers, American Catholic History Research Center and University Archives.

W. B. went on to serve three terms, March 4, 1907-March 3, 1913, as a Democratic congressman from Tioga County. In Congress, he introduced legislation creating the Bureau of Mines and established a Department of Labor, which included the Bureau of Labor Statistics that had been headed successively by Catholic University professors Carroll D. Wright and Charles P. Neill. In 1912, W. B. became chairman of the House Labor Committee but was defeated for a fourth term in Congress. However, incoming Democratic President, Woodrow Wilson appointed W. B. as Secretary of Labor, heading the department he had created from March 5, 1913, to March 5, 1921. There he conciliated numerous potential strikes, regulate working conditions for women, and during World War I created an employment service moving more than six million workers to places where workers were needed. He also worked to provide insurance for military members and housing and higher wages for war workers. W. B. also worked diligently to restrain excesses of Attorney-General A. Mitchell Palmer during ‘The Red Scare’ regarding Communist threats in 1919-1920.

W. B. left the Labor Department in 1921, where incidentally he had been reunited with his former Knights of Labor chief Powderly who now reported to the Secretary from his position as head of the department’s Information Bureau. Out of government, W. B. engaged in mining and agricultural pursuits near Blossburg, Tioga County. He made a foray back into politics for an unsuccessful run for the U. S. Senate in 1926. Thereafter, W. B. did some work as an arbiter in Illinois coal fields but otherwise lived in retirement until dying on a train returning from Florida near Savannah, Georgia, on May 25, 1934. He is buried beside his wife, fellow immigrant Agnes Williamson, whom he married in 1883, in Blossburg’s Arbon Cemetery, not far from other family members. He is remembered for speaking labor’s “truth to power.”³ He was also an occasional poet, poignantly expressing the immigrant’s longing in Memories (1916):

Group portrait of Anthony Caminetti and T. V. Powderly flanking their boss, William B. Wilson, at the Labor Department, n.d., This photo and others of Wilson can be found in both the John Mitchell and T. V. Powderly online digital photo collections.

True, there stood Penn’s forest as stately as ever,
And, there, the wide meadows and tall growing grain,
And down in the valley the swift flowing river
Fast winding its way to the billowy main.
Yet though my heart loves them with loyal devotion,
My memory dwells on sweet visions of yore,
And pictures that country far over the ocean,
The land of my fathers, old Scotia’s loved shore.

Special thanks to the best online source for William B. Wilson: Blossburg.org. I also owe a personal debt to ‘Dunny’ Dunlap, an aged corner store owner in my hometown of Cherry Tree, Pennsylvania, who would regale me with stories about his wife’s uncle, W. B. Wilson.


¹ Craig Phelan. Divided Loyalties: The Public and Private Life of Labor Leader John Mitchell. State University of New York Press, 1994, p. 91, citing the United Mine Workers Journal of June 18, 1903.

² See Edward M. Steel (ed.) The Correspondence of Mother Jones. University of Pittsburgh Press, 1985.

³ To borrow an iconic phrase attributed to later civil rights leader Bayard Rustin.

The Archivist’s Nook: YOU Should Read the Catholic Press – Why?

Cover of a booklet issued by the newly established Press Department of the Bishops’ Conference issued in the 1930s. The booklet explains the function and reach of the Department to readers.

The first national Catholic press in the U.S. formed in 1911 with the Catholic Press Association.  Its purpose was to stabilize advertising services and to start a national news service which it did, called the News Bureau.  By 1915 it was gathering news and developing newsletters from Rome, London and Washington, D.C. as a subscription based service for its member publications, which were primarily diocesan and independent Catholic newspapers in the U.S.  In 1919, just after the formation of the National Catholic Welfare Council (NCWC), today known as the U.S. Conference of Catholic Bishops, the NCWC Press Department absorbed the function of the Catholic Press Association, stabilizing and promoting the dissemination of news of interest to Catholics nationally.  Its aim was to publish news of national and international interest to Catholics in the United States—news that was often ignored in the mainstream press. Subscribers to the news service—local or special interest Catholic news outlets—would supplement their own content with the Press Department’s news, editorial features, and picture services in their own publications under the name NCWC News Service. The NCWC News Service changed its name in the 1960s to the National Catholic News Service or NC News, then again in 1986 to its current name, Catholic News Service (CNS) to reflect its mission to cover world news of relevance to Catholics.¹

Justin McGrath served as the founding director of the new Catholic News Service (then called the Press Department of the National Catholic Welfare Conference), from 1920 until 1932. He brought with him connections and experience from previous stints with The New York Times and The San Francisco Examiner.

This new national Catholic press focused on matters of interest to Catholics nationally, particularly those matters that the mainstream press ignored or reported from a non-Catholic and often anti-Catholic perspective. One 1922 NCWC News Sheet, for example, reported in October of that year that the Ku Klux Klan was asserting that “because Columbus was a Catholic,” Leif Ericson should be considered “the real discoverer of America.” The KKK’s view held that Columbus’s Catholicism disqualified him from a role in the history of European colonization, and that Leif Ericson’s Nordic background made him qualified for a special place in that history. The news sheet countered that in fact, Leif Ericson was a Catholic anyway so the KKK’s plan to dethrone Columbus based on religious grounds was futile—not an argument that would be seen in the mainstream press because the mainstream press freely expressed anti-Catholic sentiment as well. Other topics heavily covered by the Catholic press in these years concerned the persecution of priests and nuns in Mexico and the Spanish Civil War of 1936-1939. Church figures in the U.S. felt that the U.S. government was not doing enough to counter anti-Catholic violence in the 1920s Cristero War, and in contrast with many non-Catholic Americans, were more sympathetic to the pro-Catholic Franco regime in Spain than they were to the Soviet backed Popular Front.²

This map of subscribers nicely displays the reach of the relatively young Catholic news agency in the 1930s. Note that there were several correspondents based overseas, reflecting the global church.

Additionally, the NCWC News Service covered the Catholic angle of topics popular in mainstream media as well. In 1944, for example, the News Service reported on Japanese Catholic internees and on the ways the U.S. liberation of Guam resulted in the reopening of one of the island’s Catholic churches. A March, 1959 news release reported on John F. Kennedy’s assertion that “there is no conflict between being a Catholic and meeting your constitutional obligations as an officeholder.”³

Back in the 1950s and 60s printing plates were used to make hardcopy newspapers. This zinc plate was used by the Catholic News Service to impress an image of Pope John XXIII signing the papal bull commencing the start of the Second Vatican Council.

With a current incarnation that is more global in reach than ever, almost every English language Catholic newspaper in the world uses CNS, including more than 200 American Catholic newspapers and websites, radio and video broadcasters as well as news broadcasters in more than 60 countries. As an editorially independent and financially-self-sustaining division of the U.S. Conference of Catholic Bishops, CNS has created several media outlets, including Origins, the documentary service created in 1971 that chronicles the history of the church through full texts of speeches, encyclicals, and other documents. It offers online book reviews, as well as movie, television, and gaming reviews from a Catholic perspective as well. Finally, CNS provides images and news graphics in digital and print format and produces daily video from Washington and Rome.

To view our finding aid for the United States Conference of Catholic Bishops Communications department and Catholic News Service, see our finding aid: http://archives.lib.cua.edu/findingaid/ncnews.cfm

For more on local Catholic newspapers, see the Catholic News Archive:  https://thecatholicnewsarchive.org/


¹ N.C.W.C. News Service press release, 10/30/1944, 3/5/1959, held at the USCCB archives which holds National Catholic Welfare Conference News Service/Catholic News Service archival records.

² See our finding aid:  http://archives.lib.cua.edu/findingaid/ncnews.cfm

³ For a short history of Catholic News Service, see our finding aid to their papers here:  http://archives.lib.cua.edu/findingaid/ncnews.cfm

See “The N.C.W.C. News Sheet,” releases: October 30, 1922, Benedict Elder, “Ku Klux Show Ignorance In Proposal to Substitute Ericson for Columbus”; December 12, 1927 “Priest Hanged, Nun Is Shot In Mexico, Letters Reveal,” held at the USCCB archives which holds National Catholic Welfare Conference News Service/Catholic News Service archival records.

Libraries and the Fight to Save Net Neutrality

Illustration by EFF Senior Designer Hugh D'Andrade dearfcc.org/. https://creativecommons.org/licenses/by/2.0/

What is Net Neutrality?

If we conduct a simple natural language search, using Google, it will return the following dictionary metasearch results that defines Net Neutrality as follows: “The principle that Internet service providers should enable access to all content and applications regardless of the source, and without favoring or blocking particular products or websites.” In 2005, the Federal Communications Commission (FCC) adopted regulations that supported the principles of net neutrality, but lawsuits involving Comcast Corps and Verizon Communications, Inc. in 2010 and 2014 led to even stricter legislation. In 2017, President Trump appointed a new FCC commissioner, Ajit Pai, who quickly proposed a reversal on net neutrality legislation. On December 14, the FCC voted three to two to proceed with Pai’s proposal. On February 18, 2018, the FCC formally informed the Senate of the plans to repeal net neutrality. Under the Congressional Review Act (CRA), Congress now has until April 23 (60 days) to stop the repeal from going into effect.

Who are the Key Players Involved?

Essentially, the two primary opposing sides in the debate over net neutrality are internet service providers (ISPs) and consumers. ISPs, such as Comcast and Verizon, stand the most to gain if net neutrality is repealed. Politicians and lawmakers are persuaded by both sides, with consumers asking for legislation that prevents ISPs from giving any websites or content favoritism over others, or from making certain content premium (such as charging customers more to be able to use streaming services like Netflix or Hulu—on top of what Netflix and Hulu are already charging for the content itself). Information professionals, such as librarians, museum curators, and archivists, represent the interests of the consumer, and are advocating to defend and uphold net neutrality.

Why Are Libraries Involved?

Librarians are fiercely devoted to our profession and we believe in building an informed, intellectually curious society where information and knowledge are openly available, without restriction; and because we also believe that unrestricted access to information is an essential egalitarian ideal rooted in civil society.

Librarians lead an organization that has seen tremendous evolutionary growth from its analog start to the virtual reality of digital environment.

Librarians have an inextricable connection to the information universe and that rests on the foundational role of the library to ensure that everyone has equitable access to information resources and knowledge.

To read more on how librarians value and defend net neutrality, check out the American Library Association’s statement on the issue at http://www.ala.org/advocacy/telecom/netneutrality.

What Happens in a World Without Net Neutrality?

The elimination of net neutrality regulations gives ISPs the power to change users’ access to information sources based on non-strategic reasoning by censoring information based on ideological, political, and social rationalizations.

In this unregulated state, many of the actions undertaken by ISPs to manipulate access speeds create layers of inequity in consumers’ ability to access information. ISPs would be allowed to monetize the concept of equitable access to information by charging content providers (like Netflix, JSTOR, and YouTube) more for the amount of traffic they are generating, and then charging consumers more for the ability to access that premium content, or even just to access it at a sufficient speed to enjoy it properly.

The Archivist’s Nook: The Tower Reports, You Decide

Twelfth anniversary issue, November 1, 1934, detailing efforts to bottle up ace Western Maryland (known since 2002 as McDaniel) football player, one of my imagined kinsmen, William Leroy ‘Bill’ Shepherd (1911-1967). Shepherd nevertheless led his team to victory over Catholic U. in Brookland Stadium two days later. The Tower Archive Online.

American student newspapers began appearing on Ivy League campuses such as Harvard, Princeton, and Yale in the 1870s. It took a while longer for their Catholic colleagues to follow suit, with the founding of the Tribune at Marquette University in 1916, The Hoya at Georgetown University in 1920, and The Tower at The Catholic University of America in 1922.  Named after the center tower portion of Gibbons Hall, the latter debuted on October 27, 1922 as a four page weekly intending to “serve no individual, no group, no class; it is a publication in the interests of all students.” It also eloquently stated “The Tower is now a living being on the Campus, and will be kept as such only thru the wholehearted co-operation of all the students.” ¹

With a price of ten cents per copy or $1.50 a year, the Tower was initially funded by the University and later by the student government, but also increasingly by advertising.² It became more independent over time and in the 1960s reported in the midst of the tumult over University attempts to fire dissident professor Fr. Charles Curran for teachings contrary to the Church and the resulting student strike on campus. Tower reporters were also front and center for such notable events as the historic visits of presidents and popes to campus, including Franklin Roosevelt in 1933 and John Paul II in 1979. Interestingly, in the 1970s and 1980s, before the advent of email, the unclassified section, where students could print anonymous messages for $1, was quite popular.

Pope Francis during Papal visit, September 23, 2015, for first ever canonization on American soil, of St. Juniperro Serra. The Tower Online.
Cartoon by Tower news staffer and future Oscar winning actor Jon Voight, Class of 1960, January 10, 1958 issue. ‘The Tower Archive Goes Digital’ Brochure, 2009.

The first editor was W. T. Keavny, Jr., Class of 1923, a Law major from Connecticut. Jimmy Cassidy, Class of 2018, a Media and Communication Studies Major from Maryland, who has served since 2017, is the 123rd editor. The first woman to be editor was Mimi Reisman, Class of 1957, a biology major from Pennsylvania.³ Many student contributors went on to later fame (or infamy), including renowned photographer Fred Maroon, Oscar winning actor Jon Voight, Pulitzer prize winning New York Times columnist Maureen Dowd, Washington Post Sunday editor James Rowe, former Republican National Committee (RNC) chair Ed Gillespie, and problematic NBC news anchor Brian Williams.

The print edition of The Tower has changed size several times in its venerable history: twelve by nineteen inches from 1922-1923 to 1925-1926; fourteen by twenty one inches from 1926-1927 to 1931-1932; seventeen and one half by twenty three inches from 1932-1933 to 1941-1944; eleven by seventeen inches from 1946-1947 to 1972-1973; eleven by fifteen inches for 1973-1974 to 2003-2004; and twelve by twenty three inches 2004-2005 to the present. The Tower transitioned to a digital layout in 2003 and in practice has become increasingly digital-only, with occasional print issues as advertising revenue permits.

University archives staff worked in 2008 with several campus departments, including Mullen Library and the Student Association General Assembly, as well as an outside digitization company, Olive, to get archived copies of the newspaper digitized and accessible online. The years 1922-1991 had previously been microfilmed, so these were relatively easy for Olive to scan. Print copies for 1992-2003⁴ were digitized and the combined digital collection web site went live in 2009. Additional years have been added thereafter so that coverage on the Olive site is currently 1922-2013. The most recent years can be accessed on The Tower’s web site. The library stores backup digital copies and the Archives retains three sets of print copies whenever possible.

The first April Fool’s issue, The Towel, with prank headlines and other absurdities was published in 1927. Above is a humorous example from 2009: ‘Catholic University March Madness,’ with reference to an apparently overachieving student named Wynn.

¹ The Tower, 10-27-1922, pp. 1, 4.

² The Tower, 10-24-1997, p. 1.

³ The Tower, 1-14-1955, p. 1.

The Tower, 4-16-2004, p. 3.

The Archivist’s Nook: Virtual Historians All

A favorite from the Fenians: A Chromolithograph of Theobald Wolfe Tone, the eighteenth century Irish revolutionary many Fenians looked to for inspiration.

All you need is a computer–heck, all you need is a smartphone to do historical research these days.  Three years ago, my colleague John Shepherd described our efforts in boutique digitization, which offered digital researchers several carefully selected sets of digital materials for use online.  Since then, we have undertaken many more large-scale digitization projects for your historical edification.  

As of March 2018, the Archives hosts 42 collections online amounting to hundreds of thousands of pages of materials.  I should note at the outset that the word “collection” is used deliberately here. A “collection” is a set of digital objects put on the web without any kind of accompanying interpretive information. This is in contrast with our online digital “exhibits” and digital “educational resources,” but these are distinguished from collections, as they are interpretively selected and posted with particular audiences in mind (say, high school students and teachers).

In sum, our digital collections are put online with only basic identification information (archivists call this metadata; at its sparest this means the date, collection, creator and search tags are posted with the object).  Contrary to what many people believe today, we cannot digitize everything in our archive—it would take years to digitize the millions of objects in our collections and frankly, we don’t have the staff time or the server space for such a project!  This means that we must make decisions on what we decide to digitize. Key factors in our decision to digitize collection materials include fragility, demand, and historical import.

Treasure Chest of Fun and Fact cover, November, 1970. The comic book’s covers changed somewhat across the years.  This cover may or may not reflect the psychedelic era in which it was produced.

Fragility was a key factor in one of our first digitization projects, that of the Fenian Brotherhood.  Established in Ireland in 1858 as the Irish Republican Brotherhood, their American branch was known by 1859 as the ‘Fenians,’ with the avowed purpose of overthrowing British rule in Ireland and establishing an Irish Republic. The Fenians in the United States grew to include over 50,000 members and hundreds of thousands of sympathizers by the end of the Civil War.  However, rocked by internal factionalism and opposed by the formidable military power of the British Empire, they never came close to achieving their aims. We chose to digitize this collection in 2003 due in part to its fragility. It is well-used and much of the paper in collection is thin and extremely fragile. Hence, digitizing the Fenian Brotherhood collection is partly a preservation measure—the fewer hands that touch the actual materials, the longer it will last.  The online collection is still widely used and freely available to anyone with an internet connection; it is our third most used digital collection.

You may be wondering, hmmm, if that fancy set of papers is number three, what is the Archives’ most popular digital collection?  Well, that would be The Treasure Chest of Fun and Fact, of course. Treasure Chest was an American Catholic comic book published from 1946 through 1972, available exclusively in Catholic schools throughout the United States.  We digitized the Treasure Chest back in 2004 because we suspected that a Catholic comic book would be appealing to many audiences, though it too has its fragile aspects, comic books tend to have thin pages that tear easily, so that was also a factor.  Treasure Chest has consistently been a chart topper as far as online use.  

A typical reaction upon hearing what the Catholic University Archives makes available online (Catholic University Public Affairs photo collection).

As noted, we have many digital collections available for public use online.  These collections were digitized and made available for free through the joint efforts of the Archives and the Washington Research Libraries Consortium.  Using another model, the Archives teamed up with the ProQuest History Vault to digitize several collections related to U.S. labor history, an area where our materials are particularly strong. ProQuest curates an archive of billions of vetted, indexed documents connected through a variety of research communities. Debuting in 2011, the ProQuest History Vault is constantly adding new primary sources related to widely studied topics in American history. A particular strength is social movements, especially racial justice, women’s rights, and organized labor.  The collections, with enhanced search features, can be purchased as a perpetual archive or as a subscription, providing research access for students and faculty to materials held at geographically dispersed archives. The Terence Powderly, John W. Hayes, and John Mitchell papers are part of the module, ‘Labor Unions in the U.S., 1862-1974: Knights of Labor, AFL, CIO, and AFL-CIO,’ which include collections from the University of Maryland and the Wisconsin Historical Society as well as the Catholic University Archives.

The Archivist’s Nook: A Flapper, a Nurse, and a Nun Apply to Catholic University…

Women blast through the barriers to their admission at Catholic University. No prisoners were taken. Pictured: (L to R) Nursing students Kathleen Bowser and Lois Pecor visiting the Soldier’s Home, 1945-46. Karl M. Schmitt photograph collection. Special thanks to Robert Malesky for identifying the location.

I am not pleading for co-education or the admission of “flappers” into the University, but I am pleading for the cause of the women who mean more for the Church in America in one sense, than all its Hierarchy and all its Priests.

– Archbishop Michael Curley to Peter Guilday, October 10, 1924

Among the most frequently asked questions we receive at the Catholic University Archives are: Who was the first woman to graduate from Catholic University? When did the University first admit female students? Despite the simple questions, the answers are surprisingly complex! Beyond the opposition to coed institutions at the time of the University’s founding, the admission of women was complicated by the variety of degree programs, academic schools, and the status of lay and religious women on the campus.

During the 1895 inauguration of the newly constructed McMahon Hall, Rector John J. Keane stated to those assembled that, “Many women have applied for admission and the University would be glad if it were in her power to grant them the educational advantage which they desire.” Keane went on to state that such a change in the University’s admission policy would necessitate a decision by the Board of Trustees.¹

This issue was seemingly resolved with the founding of Trinity College (1897) and Catholic Sisters College (1911). Both institutions were founded to educate Catholic women, the former being for lay women and the latter for religious sisters. While certain exceptions were granted for some women to enroll as graduate students at the University – although without the full rights of an enrolled student – female students largely took courses at one of the two neighboring colleges. However, with the end of the First World War and passage of women’s suffrage, new opportunities appeared for American women.

New organizations, such as the National Council of Catholic Women, founded educational institutions such as the National Catholic School of Social Service, which became affiliated with Catholic University in 1923. However, despite being affiliated with Catholic University and often being taught by University faculty, none of the female students officially were enrolled or received degrees from the University.  That is until one sister from Minnesota came on the scene.

Sister Hilger with Mapuche women in Chile, ca. 1950s. Traveling the world, Hilger studied childhood experiences across cultures. (Courtesy: Smithsonian National Museum of Natural History)

Wishing to pursue an advanced degree in sociology, Sister Marie Inez Hilger, OSB, was upset to find that major Catholic universities, such as Notre Dame and Catholic University, did not accept female applicants. Explaining her situation to the Bishop Joseph F. Busch of St. Paul, she found a sympathetic ear. Busch expressed concern about the lack of opportunities for religious sisters at Catholic universities and promised to raise the issue at the annual Bishop’s meeting in Washington. Shortly thereafter, a telegram arrived from Busch, informing Hilger that permission had been granted for her to enroll as a full student at Catholic University. Packing up from Minnesota, Hilger arrived on campus on October 1, 1924. Completing her Masters in sociology and social work in 1925, Hilger’s example helped renew the discussion among the Board of Trustees on the topic of female students.

With her admission, the deadlock that had existed since 1895 was broken. The first laywoman to be registered as a full student was Florence McGuire, who began in 1927 and earned a Masters in Greek and Latin. With these two women granted special permission to enroll, a debate developed amongst the University’s leadership. Paralyzed between pro and anti-admission factions, the Board deferred on making a decision and referred the matter to the Rector. In 1928, Rector John H. Ryan granted admission to all religious sisters.² With the stalemate seemingly broken, the Board of Trustees moved quickly to open the University’s graduate programs to all women, lay or religious. However, undergraduate admission was another matter.

In 1932, the School of Nursing began to operate on the campus, presenting a new challenge to the University. Suddenly, a large cohort of lay women required general course work outside the nursing program, necessitating that they be permitted into undergraduate classes. Despite some concern over infringing upon the two nearby colleges, pragmatism won out as sending professional students to other campuses was costly and inefficient.³ Thereafter, women were accepted into a variety of science and humanities courses in the 1930s. While these students were technically enrolled only in professional programs – and not strictly liberal undergraduate degrees – this did not stop female students from becoming engaged in undergraduate life.

(L to R) Kathleen Bowser, Annabelle Melville, Rita Bondi, and Joan Chapman, 1945-46. Melville was a PhD student in history, the other three were nursing students. Karl M. Schmitt photograph collection.

By the end of the 1930s, women would be seen attending and teaching classes in English, drama, anthropology, and even aeronautics. The January 1934 Alumnus even reports that there were already enough female graduates to form the Graduate Alumnae of the Catholic University of America, complete with officer elections and nationwide branches! In the 1940s, female students began to organize their own social clubs on campus, including the Association of Women Students (1943) and the Columbians (1945). Undergraduate actors and actresses graced Fr. Gilbert Hartke’s theatrical stage. By 1950, one of the final barriers to admission came down with the Board of Trustees officially allowing undergraduate women to enroll in bachelor’s degree programs on campus.

As for Sister Hilger? Well, she returned to the University in 1936, earning a doctorate in anthropology in 1939. Soon afterward, she met famed anthropologist, Margaret Mead, who inspired her to continue a lifelong career studying the child life of indigenous people worldwide. After decades of teaching at the College of St. Benedict in Minnesota and serving as a Smithsonian research associate, Hilger passed away in 1977.

A small collection detailing the graduate admission and anthropological work of Sister Hilger may be viewed here: http://archives.lib.cua.edu/findingaid/hilger.cfm


¹ The Catholic University Bulletin, Vol. 1 (1895), 540. 
² E. Catherine Dunn and Dorothy A., eds. Mohler. Pioneering Women at The Catholic University of America: Papers Presented at a Centennial Symposium, November 11, 1988 (Hyattsville, MD: International Graphics, 1990), 1-18.
³ Roy Deferrari, Memoirs of The Catholic University of America, 1918-1960  (Boston: The Daughters of St. Paul, 1962), 229-40.

Plan on Managing Your Data

A data management plan (DMP) is a document that outlines what you will do with your data during and after a research project. Having a DMP is essential for today’s researchers in managing their data, applying for grants, and preserving the data for subsequent use by other researchers.  One useful tool that has been around since 2011 and continues to expand and improve is the DMPTool. The DMPTool is a free, open source tool to help researchers create and management their data management plans.

“The tool has four main functions:

1. To help create and maintain different versions of Data Management Plans;
2. To provide useful guidance on data management issues and how to meet research funders’ requirements;
3. To export attractive and useful plans in a variety of formats;
4. To allow collaborative work when creating Data Management Plans.”

A revamped version of the DMPTool launched February 27th that brought together the US based DMPTool and the UK version DMPonline into one international platform.

DMPTool has a number of excellent features to simply the data management process:

Understanding the types of data, file formats, how to organize files, metadata documentation, persistent identifiers, security and storage, sharing and archiving, citing data, and copyright and privacy are all issues that the researcher needs to consider in devleoping a DMP.

For those of you who would like an overview of the new features, the following webinar will be held on Tuesday, March 13th at 12:00 pm ET: Data Management Plans 2.0: Helping You Manage Your Data presented by Stephanie Simms from the California Digital Library and DMPTool.

Can’t make it? This webinar will be recorded. Update (03/14/18): the recording can be found here: https://www.dataone.org/previous-webinars

If you have any questions about data management planning, please contact Kevin Gunn, Coordinator of Digital Scholarship at gunn@cua.edu or 202-319-5504.

Fair Use Week 2018

This week is Fair Use/Fair Dealing Week (February 26th – March 2nd).  The organizers of the event state that “Fair Use Week is an annual celebration of the important doctrines of fair use and fair dealing.The week is designed to highlight and promote opportunities presented by fair use and fair dealing, to celebrate successful stories, and to explain these doctrines.”

Fair Use/Fair Dealing acknowledges the important doctrines of fair use in the United States that govern publication and scholarship.  While works of creation are copyrighted by their creators/owners, this right is not absolute. Fair use and fair dealing outline limitations and exceptions to copyright. Copyrighted material can be used without permission from the copyright holder assuming certain conditions are met. The flexibility in fair use doctrine allows for individuals/groups to exercise their freedom of speech and expression in creating and transforming works.  

Students, faculty, staff, and librarians should be aware of the concept of fair use and its many applications to creativity. The Office of General Counsel at CUA has a copyright page with FAQs, resources, forms, and checklists.

 

The Fair Use Fundamentals

Recognizing that copyright is not absolute, fair use constitutes balancing your proposed needs of someone else’s work with the copyright owner’s rights.

Whether fair use is applicable in your case will depend on a number of questions, some of which are: what exactly are you using? Are you transforming the work? How widely are you sharing the materials? Will the work be just at the university or somewhere else?

Section 107 of the U.S. Copyright Act (Limitations on exclusive rights: Fair use) provides four factors in determining fair use as you balance your needs with that of the copyright holder.

Factor 1: Purpose and Character of the Use

If you are part of a non-profit institution, you have greater leeway than a for-profit business. Taking into account the nature of the work–criticism, commentary, news reporting, teaching, scholarship, or research and its transformative value will impact fair use applicability. For example, quotes put into a scholarly paper have a transformative quality and thus, constitute fair use.

Factor 2: Nature of Copyrighted Work

What is the nature or character of the work being used? Given the type of work, copyright holders have the right to ‘first publication’ and the courts would not side with fair use if, for example, a manuscript was unpublished. Courts distinguish between fiction and non-fiction works and they will generally side with fair use for non-fiction. That is, courts are more inclined to protect works of art, film, fiction, etc. from fair use provisions.

Factor 3: Amount and Substantiality of Portion Used

This important factor is usually what students and faculty have in mind when first considering fair use. For example, how much of a book can I copy and put in Blackboard, is a common question. Generally speaking, the more content of a work you use, the less fair use protection you have. The nautre and size of the work will also determine the plausibility of fair use.  Using an entire photograph for a project would be an infringement but using a thumbnail of the image would be fair use.

Factor 4: Effect on the Market for Original Work

The point of having copyright is to ensure that the creator is able to make a profit off of the work. How one determines the effect on market value is to ask whether one could realistically purchase or license the copyrighted work. If something is readily available, then this will go against fair use.  If your work is non-commercial, then the effect on the market would be difficult to prove. A work that is commercial in nature will have a more diffcult case in proving the fair use exemption.

 

The Process of Fair Use

If someone is sued over infringement of fair use, the judge(s) will go through these factors to determine if there is sufficient cause. The legal case of President Gerald Ford and his memoir is a classic example of copyright infringement. The Nation magazine copied a pivotal part of Ford’s memoir and published it, citing fair use. The case went to the Supreme Court which eventually ruled in President Ford’s favor. You can read the history of the case and the judges’ process of thinking through the four factors at the Trademark & Copyright Law blog.

 

Useful Resources

Fair Use/Fair Dealing Week as an infographic that explains what fair use is, why it is important, who uses fair use, and provides some examples of fair use.

The Library of Congress has a great post on knowing when to use a copyrighted work.

The U.S. Copyright Office has an index that follows judicial decisions on fair use.

Obtaining permission to use a copyrighted work can be a fraught affair. The Library of Congress has provided a handout to address some concerns.

The Scholarly Communications & Copyright Office at the Penn State Libraries has a checklist balancing the pros and cons of fair use.

The Copyright Advisory Services at the Columbia University Libraries has a roadmap for determining fair use of a work.