Beginning Monday, November 30, curbside pick-up becomes book pick-up and moves from the back of Mullen Library to inside its front doors. Library borrowers will still need to follow the instructions in the Libraries COVID-19 Information Guide to request a specific book(s) and schedule a pick-up time, but we anticipate that this change will save staff time and enable us to fill more requests.
Book pick-up hours from November 30 through the end of the semester will be M-F, 11 AM – 1 PM and M, W, F, 3 – 4 PM.
Library borrowers will enter the library wearing a face mask. They will show their CU ID to the guard at the Welcome Desk and be directed to the opposite side of the Welcome Desk where they will pick-up their bagged item(s) and exit the library.
During spring break week in mid March, as many of the Catholic University community were away from campus, the Archives staff met to discuss our contingency plans for the spreading pandemic. Our researchers from across the United States and the world were beginning to cancel or delay scheduled appointments, and we began to determine how best to shift our services and resources online. With little time to prepare, we readied the stacks for a possible long-term closure.
Friday, March 13, 2020 would end up being the last normal day of work at the Archives. (Yes, Friday the 13th was when our “luck” ran out.)
When we think of essential workers during the current crisis, we rightly think of medical professionals, delivery drivers, grocery and pharmacy employees, custodians, etc. But even among those professions mostly teleworking, there are those who exercise an essential function. In addition to the facilities staff (a huge shout out to them!), many administrators and librarians at Catholic University have continued coming to campus to assist in the transition to online instruction, to guarantee that students and faculty (as well as most staff) could remain safely at home.
As for the Archives staff, we need to monitor our collections to guarantee that the humidity and temperature levels are maintained at proper levels, that leaks are not occurring, or that bugs are not infesting the stacks! Plus, as many online collections as we have, most of our materials are still only available onsite. Each of our staff received a letter marking us as essential employees, able to come in to protect the collections during the strictest period of the DC shutdown.
Does that mean we took unnecessary risks to visit the stacks? No. Most of us continued to telework, with two of our staff (who live close by or can drive in) stopping in one to two days a week to check the collections. (A special thank you to Archivist, John Shepherd, and Special Collections Technician, Brandi Marulli, for keeping the onsite stacks maintained during the first few months of the pandemic. Not to mention Curator, Maria Mazzenga, and Graduate Library Pre-professional, Amanda Bernard, for expanding our digital presence during the shutdown.) As for me? I began to return to the onsite collections in June.
Overall, I have been fortunate thus far. I’ve been able to mostly telework, have kept my livelihood, and been healthy. As a current graduate student, despite my displeasure at endless Zoom sessions, my remote classes have kept me busy. (Knitting during Zoom classes tends to help me stay focused on the lecture/discussion!)
With that said, I do live alone. Many days are long, with my small basement apartment becoming the center for my entire life. For over four months, often the only outdoor activity I may get is an occasional walk or an early morning trip to the grocery store.
My family is back in central Nebraska, and they reside mere blocks from a meatpacking plant forced to remain open, despite becoming a hot spot for the virus. My family had no options for teleworking and the local authorities seemed unwilling to take the pandemic seriously. For months, almost every morning, before logging into my laptop to work remotely, I would talk to my relatives on the phone to see how everyone was doing and check in myself. (So far, so good!)
All this has made me reflect on my short- and long-term plans. Every year, I visit my family several times. But not in 2020. Maybe not in 2021. Wherever I have been in life, I have always found my way back to Nebraska every Christmas and New Years, to see my family and childhood friends. This may be the first time in my life I must skip that journey, for fear of risking my family’s safety by traveling.
I worry about finances, as so many schools and businesses face tough economic choices. I consider my meager savings now as not only a cushion for myself but possibly for my distant family and friends.
While taking graduate coursework during a pandemic is a challenge unto itself, I am relieved to have the distraction. But also taking these courses has helped provide a sense that my life is not stagnating in quarantine, that I am advancing in some capacity while sitting at home most of the week.
I have friends and family who are public school teachers, rewriting their wills as they are potentially put back into classrooms too early, grocery store workers and truck drivers on the “front lines” for months on end with no breaks, and childcare workers furloughed. I know people who (incorrectly) claim the virus is a hoax, and others who will never leave their homes out of fear of getting sick. I know people afraid, people struggling, and people offering hope.
I live mere blocks from a food pantry. One to two days a week since late March, a long line has stretched down the street from it. It is heart-breaking to see, but it is also encouraging that the pantry keeps helping. Volunteers still go in, despite any personal risks to health. Food is still being handed out to each person in that line. Donations keep coming in.
Collecting stories can be exhausting – reliving my own experiences of the pandemic or empathizing with those submitting their own accounts – but it is crucial work to preserve our tales for the future, to vocalize our experiences, and to help us understand that we are part of a broader web of human experiences during challenging times.
There are millions of stories during this pandemic. Many negative, some positive, and most still being written.
Keeping a journal myself, I want to end with one short reflection I wrote a few weeks ago, after I came to campus and had entered the still-closed library:
As I entered Mullen Library at 6:30 in the morning to check on the collections, I found myself alone in the building. Staring over my face covering and fogged-up glasses, I found a sight I usually love – a quiet, uncrowded library.
But not like this.
Not for these reasons.
Not due to a pandemic keeping patrons away and staff at home. Not from an economic crisis forcing us to make hard choices about what services we can provide. Not due to BIPOC students feeling targeted on campus, thus feeling unwelcome in their own library.
So many of us as individuals, groups, and localities have sacrificed to slow this pandemic, have helped those hurting economically, and have protested and started the long-term processes of confronting our own internalized and institutionalized racism.
Staring around me at dawn, this quiet library served as a reminder of both these challenges facing us and the collective actions we are taking to address them.
It is shuttered to help us control the spread of a virus. It is quiet due to staff mostly teleworking, with the Library working to maintain their employment and health in uncertain times. It is a time in which libraries are further reflecting on and working to address institutionalized racism in the profession, while providing (usually digital) sources to help others learn about these issues.
What will define this empty library – the challenges of the present moment or the work that hopefully helps and changes our culture? I’m a historian, not a seer, but I’ll do my best with my small platform in this currently quiet library to help.
In a few short weeks, there may be more people going up and down these stairs. While I’d like to see that, I do have concerns. So I’ll keep my mask and hope handy.
Just one account among many during these times of pandemic, social change, and economic upheaval.
To learn more about submitting your own story, please see this form. Questions or concerns can be addressed to: email@example.com
The novel coronavirus pandemic has left record numbers of Americans jobless—inviting comparisons between now and the Great Depression almost one hundred years ago. The Archives at the Catholic University of America (CatholicU) is well positioned to offer a historical perspective on current events. Two particular collecting strengths from the Depression era, relating to Catholic views on government and entertainment, crisscross the economics and culture of the period—and resonate in our own day.
Following the stock market crash of October 1929, the United States plummeted into an economic depression from which it would not fully recover until the onset of World War II. In 1933, unemployment peaked at 24.9% and Franklin Delano Roosevelt assumed the office of the president. In 1935, he signed the Social Security Act—introducing among other things the unemployment insurance program from which some 40 million Americans are currently seeking relief in the wake of “the unprecedented wave of layoffs” triggered by the pandemic. On the morning of Friday, June 19, 2020, TheNew York Times reported that, for the thirteenth week in a row, more than one million unemployment claims were filed.
The American Catholic History Research Center and University Archives holds the papers of several Catholic supporters of FDR’s New Deal programs, including Patrick Henry Callahan, Francis Joseph Haas, John O’Grady, and John A. Ryan—who was nicknamed “Right Reverend New Dealer.” The digital exhibit Catholics and Social Security recounts the active role that Catholic Charities played in shaping New Deal legislation and the Social Security Act in particular. Importantly, though, the CatholicU Archives also document the activities of Catholic detractors of the New Deal—most notably Charles Coughlin. The Social Justice Collection consists of the weekly publication of the National Union for Social Justice (N.U.S.J.), which served as Coughlin’s political vehicle. Another digital exhibit, Catholics and Politics: Charles Coughlin, John Ryan, and the 1936 Presidential Campaign, details the conflicting views of the two Catholic priests on FDR’s (first) reelection campaign.
Meanwhile, against the backdrop of the worst economic crisis in U. S. history dawned the Golden Age of Hollywood. The fact that moviegoing actually spiked during the Depression has been cited amidst other financial meltdowns: during the Great Recession of 2008, for instance. The phenomenon is commonly rationalized in one of two ways: escapism or catharsis. No doubt entertainment has served similar ends during the COVID-19 pandemic, but it has found a new mode of delivery—skipping theaters altogether. After a long spring of streaming from the safety of the sofa, will the appetite for the big screen return?
Back in 1933, as the popularity of moviegoing grew, the church hierarchy’s concerns—mostly about the portrayal of sexuality and crime (especially the glorification of gangsters)—also grew. In response, the church founded the Legion of Decency. The Legion was ultimately subsumed into the United States Conference of Catholic Bishops (USCCB) Communications Department/Office of Film and Broadcasting (OFB), for which the CatholicU Archives serves as the official repository. The OFB records include about 150 boxes of film reviews and ratings for movies released from the 1930s onward.
One such movie has recently come back under scrutiny: Gone with the Wind (1939). The highest-grossing movie of all time, the star-studded epic set in the American South has routinely been criticized for perpetuating harmful stereotypes of Blacks. Heeding calls for racial justice incited by the murder of George Floyd, the subscription streaming service HBO Max temporarily took down the controversial classic in June 2020.
Gone with the Wind happens to be historically important to the Legion of Decency. When it was re-released in 1967 (having been reformatted from the standard 35mm into the wider 70mm film stock), it became the first movie for which the Legion (then known as the National Catholic Office for Motion Pictures, or NCOMP) changed its rating “without any alterations in the motion picture” . For this, the President and CEO of MGM was “particularly grateful”; he welcomed the new A-II rating (morally unobjectionable for adults and adolescents) and jumped to the conclusion that “the cloud around this classic has been removed” .
Upon its release in 1939, Gone with the Wind had been rated B (morally objectionable in part, for all). The Legion’s objections: “The low moral character, principles[,] and behavior of the main figures as depicted in the film; suggestive implications; [and] the attractive portrayal of the immoral character of a supporting role in the story [which is to say, the prostitute]” . Referring to the original objections—including “the famous use of the word “Damn” by Mr. Gable”—one Catholic reviewer wrote, “By the standards of 1967, these elements are rather harmless” . But other elements not originally objected to had since (at the height of the Civil Rights Movement) become top-of-mind, as they have again today :
One moral factor however which must be considered which did not seem quite so obvious years ago is the attitude of the film toward the South, slavery, and the negro. […] The slaves are presented as being content with their lot. […]
This is a ridiculous and immoral attitude, and not fair—we are shown the plantations but not the slave quarters. […] In view of this I recommend the Office reclassify the film AIII, for Adults, and that some observation be made on our attitude toward the treatment of the Negro in the film.
 “NCOMP Upgrades Rating of ‘Gone With The Wind’,” Times Review, LaCrosse, Wis., September 15, 1967. OFB Reviews, Collection 10, Box 51, Folder 55.
 Letter from Robert H. O’Brien to Father Patrick J. Sullivan, September 1, 1967. OFB Reviews, Collection 10, Box 51, Folder 55.
 Letter from Mrs. Eva Houlihan, Secretary to Right Reverend Monsignor Thomas Little of the Legion of Decency, to Reverend Hilary Ottensmeyer, O.S.B., November 13, 1964. OFB Reviews, Collection 10, Box 51, Folder 55.
 and  “Gone with the Wind: Screened-Friday, May 5, 1967,” Rev. Louis I. Newman. OFB Reviews, Collection 10, Box 51, Folder 55.
Due to the current COVID-19 pandemic, the world is undergoing an unprecedented moment in history. This collaborative effort between The Catholic University of America’s Library and Archives endeavors to document the reactions and experiences of members of the Catholic University community to the pandemic. As events continue to unfold, our stories and feelings may be in flux. We are living in a time on which future students and scholars will look back with curiosity and sympathy.
While the official records of the University’s response to this moment are already being collected in the University Archives, the idea behind this project is to paint a more complete picture of the historical moment. We welcome all submissions as small pieces in the larger mosaic of the Catholic University community’s experience of events related to the pandemic. This “collection in real time” will help future researchers study how our community collectively and individually adapted over the course of the pandemic. It will also put a human face on the administrative records from the period, illustrating the humor, fears, struggles, and triumphs across the community.
All members of the community—students, faculty, staff, and alumni—are encouraged to submit their comments and reflections for inclusion in the historical record. These accounts in the moment will help tell the evolving story of the 2020 COVID-19 pandemic.
Please note that these submissions do not have to be one-time-only or created by one person. We invite contributors to continue to update your stories throughout the duration of these events and share contributions involving multiple voices and perspectives. Multimedia submissions—such as video diaries, audio recordings, photographs, and artwork—are welcome, too.
We are interested in stories about:
How campus and other closures have impacted your life
The transition to online classes
Working, studying, or researching during the pandemic
How you are staying in touch with family, friends, and your broader community
Experiences navigating social distancing, closures, or stay-at-home orders
Creative outlets or new routines during the pandemic
How your faith may have been impacted by your experience of the pandemic
Other changes or events you have witnessed within the University or your local community
To submit your stories, please follow the link to the form. This form will provide a template for submitting and allow you to review information about your rights and consent. It will also allow you to decide whether you would like us to share your story now or archive it for future scholarship. As we collect stories, we will post the accounts of those who wish to make their stories public.
Again, submissions may be submitted via this form. Questions or concerns can be addressed to: firstname.lastname@example.org
In order to focus more of our efforts on online support, access to the print collections within Mullen Library will be only by appointment at this time and limited to faculty and graduate students with the approval of their advisor. Please see our COVID-19 Information Guide for instructions on arranging an appointment.
Thank you for your understanding as we continue to support your research and teaching needs, while also promoting the safety and health of our students, faculty and staff through social distancing and supporting those staff who need to care for loved ones during this period.
Special Collections has thousands of free online digital objects for use in your virtual classrooms.
Our digital materials are organized by type:
Digital Collections. A digital collection is a set of digital objects with minimal supporting information. These are either entire collections, or parts of collections that have been digitized and posted on our site with basic descriptive information such as collection description, title, date, and subject of object. We have 39 collections online, with materials ranging from Catholic University’s yearbook, The Cardinal, to The Treasure Chest of Fun and Fact Catholic comic book.
Digital Exhibits. Digital Exhibits are selections of digitized materials curated by Archives staff. Our trained staff, in addition to guests from various University departments, have curated several online digital exhibits for public use. These range from historical tours of the University campus to selections from our collections related to Irish nationalism in the nineteenth and early twentieth centuries.
Rare Books. The holdings of the Rare Books Collection, some 70,000 volumes, range from medieval documents to first editions of twentieth-century books. We certainly don’t have all of these materials digitized, but you can find some of the rare books collection online.
Special Collections also has a limited capacity to digitize on demand, and we may have digitized materials available, though not yet online. Please contact Maria Mazzenga, email@example.com, if you have a request for a specific set of digital materials for use in your classes. Special collections staff are available for virtual assistance, just email us at firstname.lastname@example.org with your requests.