My colleague Dr. Maria Mazzenga has blogged previously about digital materials, especially those used in the American Catholic History Classroom teaching sites. My intent here is to review the separate and distinct digital collections that originated from a 2001 grant from the Federal Institute of Museum and Library Services’ National Leadership Program to The Washington Research Library Consortium (WRLC), of which CUA is a member. Each member was asked to provide materials for digitization via WRLC’s collaborative facilities known as the Digital Collection Production Center (DCPC), and CUA provided a total of ten collections during the DCPC’s era of operation, 2002-2010.
I confess that I am not one of those archivists mesmerized by every new shiny bauble that comes along, so I had curmudgeonly doubts about the utility of putting resources into digitizing at that time. Fortunately, taking a chance turned out to be the right thing to do as the collections selected (or ‘curated’) have been enduringly popular and frequently accessed by researchers. However, things have changed since 2010 and the process to create what many would call these ‘boutique’ collections is now being augmented, if not superseded, by mass digitization of a broader range of materials and formats (which my colleague Paul Kelly will talk more about in future). Continue reading “The Archivist’s Nook: Hark! The Digital Angel Comes!”