Beginning last year, Special Collections staff began a process of reviewing Catholic University’s Rare Books collection for works facing conservation issues. With over 65,000 works in the collection, we had to focus on the most immediate concerns. Of particular interest was the manuscripts collection, which holds over 200 one-of-a-kind handwritten texts from the medieval to the early modern period, ranging from alchemy treatises to choral books.
After working alongside graduate students and faculty from the Department of Greek and Latin, our staff selected four initial works to send offsite for conservation with local vendor Quarto. The four we chose exhibited serious binding and textual issues that threatened not only the long-term survival of the works but also severely limited their safe access by patrons.
Our goal in Special Collections is to provide both our external and campus patrons with access to the works they need to research and study. And thus, our number one goal in conserving these manuscripts was to render them stable for both eventual digitization and in-person access, without damaging the text or any original materials in the binding.
We would like to keep the campus community informed about the progress of this long-term project, so whenever we finish with a batch of books, we will post a blog on the highlights of the returned works. And so without further ado, we present the four most recently conserved works for your consideration:
1. De emandatione pectoris [and various other works], ca. 1450 (MS 114)
This work from the mid-fifteenth century contains theological and spiritual works from a number of late antique and medieval authors, ranging from Caesarius of Arles to Leonardo Bruni.
Comparing the before conservation photos (left column) with the after conservation (right column) reveals a subtle, but important, difference. This late medieval text was rebound sometime in the 18th century, with a leather covering that was beginning to experience red rot (a common degradation in vegetable-treated leather). The leather cover was cracked and loose, most notably along the spine. This cracking made it difficult to access the text without further damaging the leather covering and binding around the spine.
To resolve the issues limiting access, the conservators repaired and reaffixed the damaged part of the spine. They also used treatments to clean the textblock (the stacks of pages inside the covers and binding) of the manuscript and slow the process of decay of the leather binding.
2. St. Jerome, Epistolae, ca. 1400 (MS 168)
This northern Italian manuscript of Jerome’s letters is a beautiful work with a gorgeous miniature (a small illustration) on its opening text page (as pictured above). Sadly, accessing the work was difficult without its stabilizing boards attached.
Medieval and early modern books are usually bound with wooden boards over the front and back pages, offering stabilization and protection to the textblock contained between them. The boards, which are bound together with the textblock, are then covered with leather. These wooden boards can experience rotting or damage, but in this case, the binding had loosened, causing the boards to become completely detached from the textblock and spine. This made accessing the text difficult without adding damaging pressure onto the first few pages of the text.
In the collage on the right, you can see what the manuscript looked like a year ago, including how the front and back cover boards were completely loose. On the bottom and right center photos, you can see the work Quarto did to restore the binding. The conservators rebound the boards to the textblock and added chemical solutions to stabilize the cover’s leather.
3. Johannes Canonicus, Quaestiones supra octo libros physicorum, 1364 (MS 169)
This may have been the most challenging of the works sent offsite. A manuscript reflecting on Aristotle’s Physics, the entire binding and cover boards of the work were warped, pest damaged, and decayed to such a degree that it was virtually impossible to safely open the manuscript. But this was a popularly requested manuscript from researchers!
To complicate matters, the cover boards appear to be original to the text, dating from the 14th century. However, the spine is coated and bound in a much later (19th century) paper binding, including bits of newsprint. This paper binding had rapidly deteriorated and was marked with evidence of past insect infestation. The binding was effectively non-existent, with the work and its textblock loose. Even attempting to open the book was difficult and caused damage to the text. Serious work was needed to stabilize it for continued use.
You can see the end result of Quarto’s work above. Keeping the original boards and binding was nigh-impossible, so the conservators created replica boards and alum-tawed calf cover (a calf leather prepared with a liquid solution to create a white appearance) — mimicking the style and weight of the original — with new binding.
But fear not! We do not toss out book materials in rare books! These pieces can tell us so much about the original production of a work or later restoration, rebindings, or conservation work. So the original boards, spine, and threads have all been kept and added to our collections. Patrons wishing to access the collections may see these pieces, alongside the restored manuscript.
4. German prayer book, 1440-80 (MS 178)
Our final work is a fifteenth-century prayer book from Germany. A small, but bulky text, this work presented an interesting challenge. Not only was the front board missing and the original binding exposed, but several pages were loose throughout the text. The back board was still present and attached, with the original leather partially covering it (but cracking and brittle). With cracking leather and an exposed textblock, handling this work was precarious.
In the left column, you can see the manuscript prior to conservation. On the right is the manuscript after conservation. The goal was to stabilize the textblock for access and preserve the original binding, board, and leather. In order to do so, Quarto crafted a facsimile board for the cover, worked to stabilize the surviving leather, and reattach the loose pages. Without modifying or removing the original binding threads, the conservation team attached the new board to the front and developed a paper chemise (a case in which a book is stored) to offer an extra layer of protection to the text and binding. This chemise is easily removable (as seen in the photos) and will allow patrons to study the original binding, board, and leather. When not needed for viewing, the chemise can be slipped back on to protect these original components.
While there are many details that this post did not cover with respect to conservation efforts — especially when it comes to cleaning the textblock’s pages — we welcome all patrons to send us questions about the conservation process or these manuscripts.
As we work on our conservation efforts, we will continue to update the community. In the meantime, if you have any questions about accessing the above manuscripts or any materials in Rare Books or Special Collections, please contact us at: firstname.lastname@example.org
Our digitized manuscripts may also be viewed at this link.